Just for fun, I looked up the characteristics of the 6N1P and compared them to those of the 6922. First, they are compatible, meaning a socket wired for one will work for the other. Both have a gain factor (mu) of 33, so no difference there. However the 6922 has more than twice the transconductanc (Gm) and less than half the plate resistance (Rp) of the 6N1P. Also, the 6N1P requires 600mA of filament current from the power supply; whereas the 6922 requires 300mA. I would say there is no obvious reason based on specs to think that one would sound so much better than the other in a given circuit, except with regard to filament current. If the PS cannot deliver 600mA to each tube filament, then the 6N1P would never be working at its full capacity and would sound "bad". Maybe someone up the line who was not cognizant of this limitation stuck the 6N1Ps in there after import.
New phono stage arrived
I Have been running a Lab 12 melto tube unit, and hated it ever since I got it. I should have held off, but I was in a rush and the one I wanted wasn't available so I was told it was just as good? That was a red flag I missed. Anyway I tried every setting on the Lab 12, and wasn't about to start pissing around with tube rolling so I started the research.
I bought a Charisma Audio Musiko Phono stage for half the money, and it sounds twice as good. Very easy to configure with dip switches on the back. I have it paired with a Rega P3 TT with a Goldring Eroica XL MC cart. The system is dead quiet, no noise, very articulate and precise. The sound is very bold and present, A nice pleasant feel to the music. I started with some Eva Cassidy, and then Dire straits. Looks like I found the missing link.