WOW! Thanks for that link, I was unaware of HHR. That's VERY cool, too bad they are as pricy as that, but if I were in the $10-20K speaker market, I'd sure give them a listen.
I remember auditioning Ohm Fs in the very early eighties... Ohm Acoustics had only just introduced the "Walsh 2" then. The sales manager for "Tec Hi-Fi" (the main Ohm dealer in those days) was a friend so I was able to take a pair of 2s and Fs home for a week end. I was extremely impressed, but thought they sounded a little rolled off at the top, and were really placement sensitive. I was using a Crown IC150, & two DC300s to drive them so volume wasn't an issue! I ended up buying AR9s instead, but at least I bought the Crowns from my Tec HI-Fi buddy. I ended up going through Walsh 2s,3s, then 4s through the eighties in second room systems, and I'm convinced the later models were/are true improvements over the originals in imaging, high end, and sensitivity. But there was something "magical" about the full range Walsh if you have a room perfectly set up for them, and enough juice to drive them!
Cliff
I remember auditioning Ohm Fs in the very early eighties... Ohm Acoustics had only just introduced the "Walsh 2" then. The sales manager for "Tec Hi-Fi" (the main Ohm dealer in those days) was a friend so I was able to take a pair of 2s and Fs home for a week end. I was extremely impressed, but thought they sounded a little rolled off at the top, and were really placement sensitive. I was using a Crown IC150, & two DC300s to drive them so volume wasn't an issue! I ended up buying AR9s instead, but at least I bought the Crowns from my Tec HI-Fi buddy. I ended up going through Walsh 2s,3s, then 4s through the eighties in second room systems, and I'm convinced the later models were/are true improvements over the originals in imaging, high end, and sensitivity. But there was something "magical" about the full range Walsh if you have a room perfectly set up for them, and enough juice to drive them!
Cliff