Ohm Walsh Micro Talls: who's actually heard 'em?


Hi,

I'd love to hear the impressions of people who've actually spent some time with these speakers to share their sense of their plusses and minuses. Mapman here on Audiogon is a big fan, and has shared lots on them, but I'm wondering who else might be familiar with them.
rebbi
Winegasman,
Glad you are enjoying yours, as well. As I mentioned, I'm still not sure whether I am going to keep the original drivers or the modified ones that John sent to me. Perhaps a pair of speakers like yours might be in my future, although I'm not sure whether the 100s would overwhelm my room, which is relatively small. Besides, having taken something of a bath on the cost of the Totems, I need to lay off my audio purchases for a while! Anyway, enjoy!
Rebbi - Happy New Year, and congrats on your decision. Although it cost you more $, that was great that you held on to the Totems and went through the demo process a little longer.

Like you said, so much back and forth (sometimes very heated) is just different tastes. But I think this thread was a great testament to Ohm's ability to really deliver - Totems are no slouches, I've heard them all.

If you can, please share some insights on the second set of drivers that John sent you, and let us know what you decide on.

Winegasman, the Ohm's ability to handle piano is something that I've heard from other listeners - there's even an old thread here somewhere that mentions it. Besides the room-filling sound, IMO, the crossover-less midrange really makes a difference for a more natural sound...
"Besides the room-filling sound, IMO, the crossover-less midrange really makes a difference for a more natural (piano) sound..."

I briefly suggested Walsh driver speaks for piano on another recent thread on the topic, but didn't go too deep into why.

The single Walsh driver covers most of the range needed for realistic piano from the low to mid-high range plus provides the sound stage needed to sound realistic. It is very unique in this aspect that lends itself particularly well for piano IMHO.
Congrats Rebbi!!! I think John should let you take a pair of the big ones then you can start another awesome thread.
Mapman,
Yeah, I agree, about pianos sounding terrific on the Ohms. I have some Diana Krall with well recorded piano that the Ohms reproduce extremely well.

Zkzpb8,
Thanks! And happy new year to you, too. I'll let everybody know what I decide about the drivers. What's a little confusing is that there are a couple of added variables in the mix, now. First, the amount of break in time that one pair of drivers has had over the other. Second, John mentioned (and I think it's correct) that speaker placement for the new drivers may be different than for the older ones.
By the way, my impression is that what he's essentially done is to provide the kind of high frequency boost that some of the larger Ohm models provide via a switch, but that the Micro's do not.

Jwtrace,
Great.... maybe John will just comp me on the upgrade to the 100-S3's! LOL! For all the publicity, that is!

OH, and check this out: I put the Arro's up on Audiogon, and they sold within about 5 hours! Even better, they sold to someone local who picked them up in Austin and paid cash. I was so dreading having to pack them up, especially because the plinths that the spikes go into attach to the bottoms of the speakers with something like Blu-Tac, and you can damage the finish when you try to detach the plinths. So not having to deal with the hassle of shipping was a blessing.

Mapman... By the way, the fellow who bought the Arro's was replacing a pair of Dynaudio Audience 52's, I believe. He was driving them with a Naim Nait amp, which I've heard is what Totem uses at show demos for electronics, so it should sound wonderful. He was very pleased!