Thanks! It's going to be tough to compare them directly, as the EMC DAC surely has its own character. Your suggestion of using the RCA out does make sense as a comparison of the two solely as transports, but in that realm, I expect the MOON to be better. This excerpt is from one of the 260 reviews:
Given that the 750D originally retailed for $13k, and still go for around $5k used, that's saying something. Of course the EMC was fairly expensive in the early 2000s, as well.
I did some A/B listening by changing discs between the two machines last night, but the EMC probably has a better (albeit much older) DAC than the internal HEGEL DAC, and benefitted from the XLR connection to the amp.
Through the internal HEGEL DAC I would say (thus far) that the sound is a touch more clinical than the EMC, and not quite as warm. On the other hand, the pace and (low) noise floor both seem to be a step forward. Soundstages seem similar, though possibly a touch wider through the MOON.
Note that these are all very early impressions, and not achieved under anything close to truly neutral conditions, not least of which because I was not able to carefully match volume output.
Simaudio’s Lionel Goodfield is quick to point out, the Nēo 260D “is first and foremost a transport; the drive mechanism and suspension are virtually identical to those in the 650D and 750D.
Given that the 750D originally retailed for $13k, and still go for around $5k used, that's saying something. Of course the EMC was fairly expensive in the early 2000s, as well.
I did some A/B listening by changing discs between the two machines last night, but the EMC probably has a better (albeit much older) DAC than the internal HEGEL DAC, and benefitted from the XLR connection to the amp.
Through the internal HEGEL DAC I would say (thus far) that the sound is a touch more clinical than the EMC, and not quite as warm. On the other hand, the pace and (low) noise floor both seem to be a step forward. Soundstages seem similar, though possibly a touch wider through the MOON.
Note that these are all very early impressions, and not achieved under anything close to truly neutral conditions, not least of which because I was not able to carefully match volume output.