Opportunity to buy the best Preamp... but which?


On the tube front... AR Ref3 vs. CJ ART3 vs. VL TL-7.5 vs. Wavac PR-T1?

Or on the SS front... Burmester 808Mk5 vs Dartzeel NHB-18NS vs Krell Evolution2 vs MBL 6010D vs Halcro DM10?

My preference would be a neutral tube based model.

Any opinions?

Andrew
stevecortez
I recall FM Acoustics now...it's a swiss boutique manufacturer catering to the exclusive "money is no object/sound is second" club. A tube preamp is a must, amplification is getting better for both camps.
We just revamped our MP-1 at the beginning of the year and we do think its the best thing out there. FWIW its turned into our best seller- outselling our cheaper preamp 10:1 and outselling the amps too.

I think its better than anything I've heard, including fm acoustics :), *but-* I found that some people want something darker, especially if they are running bad digital, or they want something simpler (our stuff is fully differential and balanced and although works quite well with single-ended amps, its an uphill battle...), and we don't have any transformers in the circuit and there are actually those who will not accept an audio piece if it has no transformers (which I regard as a filter). Then there are those that want remote control, and are willing to sacrifice sound quality to get it.

And finally- I've not heard everything out there. There would then be the question: would I allow that something else is better, given my predisposed position as a designer and manufacturer? I'm not sure I can answer that, and the fact that I've not heard any better over the years can't be evidenciary, as I could be biased or our gear really could be that much better.

So the bottom line seems to be that even if you *know* in your heart of hearts that you have the best, that the reality of the culture is in fact that the best cannot exist! God could have made the preamp, and there would be those to accuse it of being too dark, too bright, too boomy, too bass shy, etc. The "best" does not exist in that world, it only exists by individual declaration.

It would seem to be a hopeless case, as there is therefore no meaning in making improvements, but I have found that when situations arise that seem to have no meaning, you have to play the game all out so as to be a player rather than a mere occurrence, IOW even if the best does not and cannot exist that I choose to try to make the best and do that best I can anyway. Sort of like Sisyphus...
If God sold a preamp, Tara would be the dealer, and it would be the best without question. Of course, no tubes would be found inside the divine box ;)

Regards,
Atmasphere has a good point, in so much as we all have built in pre-conceptions of what we expect to hear from our home systems. I'll say again however that live music is identifiable as such by even the non-audiophiles among us. The "BEST" gear will allow those "LIVE" characteristics to shine through...micro and macro dynamics, full range extension, large deep airy soundstaging, palpability of solid images, accurate timbre etc... I can appreciate alot of gear, but my ref 3 and HD220 in my system re-creates the live event so well that one can suspend belief that it is in fact a live performance. Reality is of course real and is therefore something we can experience...live music is clearly unique in it's balance of sound and unrestrained nature. Music is clear but not overtly so, it is dynamic as hell but hangs together. it is full of expression and life, it has dimension. Many high end brands try to get it right but most do not pull it all together...they are not the best!! I've gone to the BSO, the Kimmel, the Curtis Institute etc....when I go home I am not totally disappointed. Of course if one has no appreciation of well recorded important music and/or has no live reference point one can find bliss around every corner....ah, ignorance truly is bliss!!
Why not take up NAP's and VSO Marketing's offer to try the P12-R in your system on a 30 trail. Yes, now you don't have to wait weeks to get your pre. VSO has them instock. They take CC's and would be happy to end your preamp decisions by allowing you or anyone else to audition this magnificent peice of gear. You can reach VSO at moltz@vsomarketing.com or 201-874-8108.
Hearing what the P12-R can do in your system is the RIGHT way to discover what all those who have already bought this pre now!