let me throw another log on the fire, so to speak.
i do have a second A90 coming (hopefully) next week for the Dobbins Technics SP-10 Mk3 with the Reed arm. i did have my A90 on the Reed briefly 3 weeks ago and it did sound marvelous. we did not spend the time to really dial it in like on the 301 but none-the-less it was 'special' sounding and i want to hear what i heard again.
the A90 is a bit of a chameleon in terms of playing to the strength of the arm and tt it is on. it's neutrality is not coldness or reticence; more an honesty and clear window to the music in the context of the other gear. like Shane, i've not heard the A90 lose it's cool; it's tracked everything without stress and landed on the musical side of the equation when things get exciting.
i now have about 100--110 hours on my A90.
what more can i say....i bought another one. any other cartridge i seriously might consider for the Technics would be more dollars, likely up to twice as expensive.
i do have a second A90 coming (hopefully) next week for the Dobbins Technics SP-10 Mk3 with the Reed arm. i did have my A90 on the Reed briefly 3 weeks ago and it did sound marvelous. we did not spend the time to really dial it in like on the 301 but none-the-less it was 'special' sounding and i want to hear what i heard again.
the A90 is a bit of a chameleon in terms of playing to the strength of the arm and tt it is on. it's neutrality is not coldness or reticence; more an honesty and clear window to the music in the context of the other gear. like Shane, i've not heard the A90 lose it's cool; it's tracked everything without stress and landed on the musical side of the equation when things get exciting.
i now have about 100--110 hours on my A90.
what more can i say....i bought another one. any other cartridge i seriously might consider for the Technics would be more dollars, likely up to twice as expensive.