Bob, thanks for the explaination. i now understand what you mean't. i must admit to not haveing heard a tt that is more 'propulsive' or 'revealing of the energy of a recording' than my Rockport. these issues are central to my musical enjoyment.....and i think yours too.
i also think that the Rockport gets into much more microdynamics than ANY other tt......which to me is more like 'live' music than other tt's. when you listen to the Rockport 'big events' get revealed as lot's of 'little events'. it can be 'off-putting' if your reference is your previous listening experience.
the extreme isolation of the Rockport does put more demands on the ancilary gear. if a cartridge is voiced for a tt/arm with more 'distortion' and then has 'none'.....'something' can seem missing. also, the air bearing arm does favor cartridges with low compliance......without which you do get a softening of the dynamics.
my Colibri has a very short, stiff canteliver that mates perfectly with the Rockport arm for explosive dynamics and lots of musical tension.
do you know the specific model of Rockport that you heard?
i also think that the Rockport gets into much more microdynamics than ANY other tt......which to me is more like 'live' music than other tt's. when you listen to the Rockport 'big events' get revealed as lot's of 'little events'. it can be 'off-putting' if your reference is your previous listening experience.
the extreme isolation of the Rockport does put more demands on the ancilary gear. if a cartridge is voiced for a tt/arm with more 'distortion' and then has 'none'.....'something' can seem missing. also, the air bearing arm does favor cartridges with low compliance......without which you do get a softening of the dynamics.
my Colibri has a very short, stiff canteliver that mates perfectly with the Rockport arm for explosive dynamics and lots of musical tension.
do you know the specific model of Rockport that you heard?