Whether or not you have "tube rush", in my opinion, is much more a function of the topology of the phono circuit than it is a matter of buying super low noise tubes. RAM and Kevin are completely reputable, but any tube will become noisier as it ages, and such aging can occur at different rates for different samples of the same tube type. So even SLN tubes are only SLN on the day they were measured. And one SLN may become only LN, for example, in a matter of several hours of use, while another may remain SLN for a much longer period.
I own both an Atma-sphere MP1 and a Manley Steelhead. The MP1 uses a dual differential cascode input voltage amplifier in the phono section, and the Steelhead uses a hybrid (solid state and tube) version of a cascode. (It’s single-ended.) Neither of these devices ever produces any tube rush at useable settings of the attenuator. The Steelhead, in fact, is silent for practical purposes (meaning you may hear a very faint noise at the sitting position if you are not playing an LP, with the volume control cranked all the way over).
It seems to me that phono stages deriving most of phono gain from the use of 12AX7 tubes at the input might be more likely to exhibit noise at high volume control settings.
Almarg, What formula did you use to calculate the Johnson noise of a phono cartridge? I was prompted by your earlier post to do some reading on it, too, and I would have guessed the noise of a phono cartridge per se would be much lower than what you quote. but I am not sure what are the correct values to plug into any of several equations I found on the internet.
Mijostyn, You can really achieve 110db SPL in your home audio system? I hope you don’t live in an apartment.
I own both an Atma-sphere MP1 and a Manley Steelhead. The MP1 uses a dual differential cascode input voltage amplifier in the phono section, and the Steelhead uses a hybrid (solid state and tube) version of a cascode. (It’s single-ended.) Neither of these devices ever produces any tube rush at useable settings of the attenuator. The Steelhead, in fact, is silent for practical purposes (meaning you may hear a very faint noise at the sitting position if you are not playing an LP, with the volume control cranked all the way over).
It seems to me that phono stages deriving most of phono gain from the use of 12AX7 tubes at the input might be more likely to exhibit noise at high volume control settings.
Almarg, What formula did you use to calculate the Johnson noise of a phono cartridge? I was prompted by your earlier post to do some reading on it, too, and I would have guessed the noise of a phono cartridge per se would be much lower than what you quote. but I am not sure what are the correct values to plug into any of several equations I found on the internet.
Mijostyn, You can really achieve 110db SPL in your home audio system? I hope you don’t live in an apartment.