Hi Kirk,
Thanks for your characteristically knowledgeable response.
However, I think you may have misread or misinterpreted some of the earlier posts. As I understand it, Bryon has done nothing internally within the speakers. All he has done is to interchange red and black at the external terminals of each speaker, and also the sub, thereby inverting absolute phase. The result was improved imaging, which mystifyingly seems to occur consistently on a very wide selection of recordings, presumably encompassing some recordings that are absolute phase correct, some recordings that are inverted, and some recordings that are a random mix of phasings for the different instruments and/or voices that are present.
Given that, I'm not sure that the theory you have offered is applicable.
Best regards,
-- Al
Thanks for your characteristically knowledgeable response.
However, I think you may have misread or misinterpreted some of the earlier posts. As I understand it, Bryon has done nothing internally within the speakers. All he has done is to interchange red and black at the external terminals of each speaker, and also the sub, thereby inverting absolute phase. The result was improved imaging, which mystifyingly seems to occur consistently on a very wide selection of recordings, presumably encompassing some recordings that are absolute phase correct, some recordings that are inverted, and some recordings that are a random mix of phasings for the different instruments and/or voices that are present.
Given that, I'm not sure that the theory you have offered is applicable.
Best regards,
-- Al