Too many variables to sum up all of the different design attributes in even several very detailed posts. As such, you really do need to dig into the subject in order to have a better understanding of what is really going on. Take a look at this book about loudspeaker design if you're really interested. Not only is this the most thorough and "relatively easy to understand" book on the subject that i know of, this is the best price that i've found.
I will only say that Pepler's comments above are loaded with misconceptions based on the aforementioned design variables. This is not to single out Pepler as i'm sure that he's only trying to share what he knows. Problem is that it is the same rhetoric that has been preached to audiophiles and it is basically wrong and / or a phenomenally small portion of what is a very big picture.
Turbulence or friction in a port is not ideal and that is not why they are doing that. They could have achieved similar results by redesigning the port, but that wouldn't look "special" or give them a gimmick to hype. Reading the aforementioned book will allow one to cut through the hype due to becoming an educated consumer. This pretty much allows one to dismiss inferior designs right off the bat without even having to listen to them. Looking at a speaker and picking out the visible design flaws becomes second nature once you understand how they work. Only problem is, once you've attained this knowledge, you'll come to realize that "snake oil" is as much a part of the speaker industry as it is of the cable industry. Sean
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I will only say that Pepler's comments above are loaded with misconceptions based on the aforementioned design variables. This is not to single out Pepler as i'm sure that he's only trying to share what he knows. Problem is that it is the same rhetoric that has been preached to audiophiles and it is basically wrong and / or a phenomenally small portion of what is a very big picture.
Turbulence or friction in a port is not ideal and that is not why they are doing that. They could have achieved similar results by redesigning the port, but that wouldn't look "special" or give them a gimmick to hype. Reading the aforementioned book will allow one to cut through the hype due to becoming an educated consumer. This pretty much allows one to dismiss inferior designs right off the bat without even having to listen to them. Looking at a speaker and picking out the visible design flaws becomes second nature once you understand how they work. Only problem is, once you've attained this knowledge, you'll come to realize that "snake oil" is as much a part of the speaker industry as it is of the cable industry. Sean
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