My own experience with this has actually been something along the lines of Dracule1 - except, and I don't want to talk over him on this, that I never really accepted that the Goldpoint SMD (yes, SMD!, and honestly anyone is free to go ahead and laugh if they feel so inclined, but I have rather liked them) series attenuators that I installed inside the rear of a pair of SM-70 Pro balanced monoblocks...that they were somehow actually *Better* than a $3k linestage. Just that they were to me pretty much 'on par' with one, but for a tenth of the price. Would my ears tell me I'd prefer the pre?? Oh, in a sense at least, it's not easy for me to imagine otherwise, but I guess it's just that for me, my pockets usually aren't as deep as most in this hobby, for which I have never, and never will, complain about to anyone - but, 90% of they way there for (in this case) a tenth of the cost was about impossible for me to resist. At least until I finally buy that winning lottery ticket, that is! ;) Cheers.
Preamps waste of money?
I've been forced to reevaluate the role of preamps. The best sound I have achieved is result of adding a stepped resistor volume control at the input stage inside of my tube amp. All other options I have tried or auditioned including both active and passive volume control(autoformer and LDRs)have "colored" the sound in one way or the other to an unacceptable degree compared the stepped attenuator at the input. Has anyone had similar experience?
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- 61 posts total
- 61 posts total