Proac owners......advice please


I am runinng an all solid state Electrocompaniet system; DMB 120, 4.7 Pre & EMC MKII. I recently purchased a pair of Proac 2.5's.

I will tell you that the speakers now have about fifty hours on them. Cabling is all Nordost Red Dawn at this time. The room size is approx 17'x 24', with a 12' cathedral ceiling. The good; we have big sound stage, we have wonderful mid range with very good rhythm & pace. Please play the Dixie Chicks again!
The not so good; The bass gets dominant from time to time. I won't say that it's boomy; it's like blowing a low note through an empty paper towel holder. The highs or vocals during the playback are just not on the same level when this happens, & my ear goes straight to the bass. I might add that the vocals could be a little smoother. Maybe my room is the problem? Maybe the speakers need more break-in time?
Before I consider room treatments & the likem,has anyone experienced a similar situation or could you suggest a different cabling option? I am fairly new at high end passion...so I really need someone that is famliar with these speakers or has owned solid state with the Proac's- what have you done to get the best possible sound out of them?
I know many of many of you state that Proac's sound is the best with tubes --and ARC is also a great match. I did try an ARC LS 16 pre this week with my amp, but the match wasn't that great. I do think that I would like to stay with solid state for a while, but I am hoping that you can make suggestions about how to achieve a better sound quality with my current components or alternatives that will enhance it. Thanks!
ronkng
Before you go crazy figuring out what to do next...That mid woofer takes a looooooooonnnnnnnng time to break in. I would give it a least 200hrs maybe even more.
I have the speakers 3 ft. 4 in. from the back wall (can't go out farther due to cable length), 4 ft. from the sides & the speakers are 6 1/2 ft. apart. My problems are not at high listening levels. My volume levels are usually at 9 o'clock; cranking it up to me is between 11 and 12; everything seems to run out of steam past this point. I don't want to push it more in order to avoid clipping.

The amp is rated at 120W at 8 ohms, 240 @ 4 and 350 @ 2.

If I am going to need 200 hrs. break-in time, I think I'll borrow a friend's 5-disc player for awhile.
It's probably your room. I have the same issue with my 2.5's. No matter where I moved them, I could not get rid of the bass boom without room treatment. Bass traps is what it took. I lean 2 down-sleeping bags in their stuff sacks up against the inside of each speaker. That plus some other traps in the corners finaly tamed the bass. I think it's the combination of a rear port tuned so low, plus it's hight withnin the speaker cabinet that causes so many problems. I'm starting to think that the best solution will be getting a pair of subs, and crossing over the 2.5's from 80HZ down.
All of you have been very helpful. I am hoping that continous playing time will change things for the better. At your suggestions, I am currently doing a 5-disc player marathon.

Interesting Alcides has had a similar experience with his 2.5's. The worst case I feel at this time is that if the bass does not get better in time, I may be able to somewhat tame it. I put in an old pair of Audio Quest Topaz rca interconnects on last night & it did bring the bass more in line with the rest of the music.

My next direction in time will be to try different interconnects if the system does not improve & stay away from silver. I did try Kimber Select balanced 1130's a couple of weeks ago. Great cables, it really brought out the individual instuments on the recording but also tightened up the base & made it even more pronounced than it already was.

I am still trying to avoid the room treatments at this point. The wife acceptance factor! I can hear her now " And where do you think those are supposed to go?"
interesting thread, I have the exact same issue with my 2.5's. I found that placement made a difference, but ultimately I think I'll eventually break down and get a couple of good traps to solve this. I am surprised you didnt like the ls-16. I use it with a quad of mullards, along with the 100.2, and SR resolution reference bi-wire and balanced connects. I have been thorougly pleased with this set up. The last piece to the puzzle for my system was an Audio Magic Stealth plc, and it made a huge difference, everywhere, including tighter bass. Nothing's perfect, but all things considered, these 2.5's strike the best balance of any speaker I have ever heard. Keep working on break in, allow plenty of space around them, and experiment with your listening position front to back. I find that certain bass nodes will be more/less pronounced depending upon where I sit
Rg