Problem with phono stage

Yes Audioguy, noise is the demon of vinyl playback and it is always going to be there (although the computer wizards are desperately trying to program  it out) But, it can go from obnoxious to inaudible (as long as the music is playing) There are several contributing factors and if all of them are optimized vinyl, as many of us have noticed is a wonderful medium.
Stylus alignment, clean records, good pressing, no static, the right equipment and cables etc.  

How in the world are pops and tics not normal in vinyl playback? It’s part of the medium as it is a contact sport so to speak.

@audioguy84

Many phono stages generate ticks and pops on their own, caused by poor high frequency overload margin, related to the excitation of that resonant peak I described earlier. Plus its useful to keep in mind that on any LP project a test pressing is made and the producer has to sign off on it prior to the pressing run. One of the things he’s signing off on is the surface quality.


I’m very used to not hearing any ticks and pops on entire record sides as the phono section I use deals with the pesky electrical resonance issue by having a good HF overload margin. This has nothing to do with bandwidth BTW!

Dear @emilm and friends : first than all Nagaoka is not MM design but IM similar to MI and the like where normally internal inductance is not really high ( say over 600. ) so with that 150/200 capacitance in the Lehmann and due that has a high overload design seems to me that that is not the problem but Lehmann overall set up.

It's obvious that if you change your cable for a better one or just different the sound you will experience with will be different but before you take that choice contact Lehmann and if after that you want to invest in your analog rig then could be better to go with the MP-300 from Nagaoka.

With MM cartridges always is better to have a low capacitance cable but almost any today decent cable are low capacitamnce designs in the other side there are MM cartridges as the AT25 that comes with low inductance, in this model only 85 more in the MI/IM territory.

Today phono stages are not like in the past an almost all comes with really good overload margin.

Don't worry about clicks and pops because there are more critical issues for the cartridges shows it at the best.

Look, this is what any one can read in the latest Original Master Recording LPs from MoFi ( Mobile Fidelity Sound Labs. ):

"" DUE TO THIS PROCESS,THERE MAY BE OCASSIONAL POPS OR TICKS INHERENT IN INITIAL PLAYBACK.........."""""

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.

Btw, problems with capacitance normally will be at a frequency range that even stays says at 17-18khz can't we perceived and again today phono stages comes with pretty decent designs.

where normally internal inductance is not really high ( say over 600. ) so with that 150/200 capacitance in the Lehmann and due that has a high overload design seems to me that that is not the problem but Lehmann overall set up.

Let's drop these values into the calculator and see what pops up shall we? Giving Raul the benefit of the doubt we'll use 500mH for the cartridge inductance, but the Lehmann has a 100pf input capacitance; if we assume another 40pf for the Audioquest cable mentioned above:http://www.hagtech.com/loading.html

-we got a peak at 19KHz. BTW that's a 10dB peak; its going to be audible. The slope of the peak is there at 15KHz and there will be phase shift elements easily down to 10KHz, which will be perceived as brightness. Clearly keeping the cable capacitance down is paramount.

Don't worry about clicks and pops because there are more critical issues for the cartridges shows it at the best.

Increased audibility of ticks and pops is a clear sign of a problem. If the obvious problems of setup are overcome (VTA, HTA, tracking pressure and so on) and the ticks and pops are worse, then with any high output cartridge (which will have a higher inductance in order to produce that high output) the loading needs to be addressed. To that end, you start by minimizing the capacitive load on the cartridge, as the more capacitance the lower the electrical resonant peak (hence a low capacitance cable). After that then you look into reducing the load resistance. For example with many Grado high output cartridges, a load in the neighborhood of 10K takes out the brightness that you might otherwise hear with the stock 47K load of the phono preamp input.


But all cartridges are electrical generators, meaning that the lower the resistance of the load, the more work the cartridge has to do to make its voltage.

This causes the cartridge cantilever to become harder to move. For this reason alone, its worth it to start by having the capacitive load minimized first!

Btw, problems with capacitance normally will be at a frequency range that even stays says at 17-18khz can't we perceived and again today phono stages comes with pretty decent designs.

Its easy to see that this statement is false.

Speaking of capacitance, phono cable single ended and balanced, will capacitance of the cable affect the same on either case?