Question on FR 66s


For some reason, search on FR 66s in agon did not turn up anything much. I recalled that recommended S2P distance is 296mm rather than 295mm and Stevenson geometry seems to work best. Is this correct? I already have FR 64s which works very nicely with Koetsu. In general, does FR 66s works well with the more modern cartridges, Lyra, Air Tight, Dynavector etc.
I am kind of curious to try it but not sure what to try it with. Beside those mentioned on my system page, I have Kiseki Blue, XV-1s and Miyajima Zero on hand currently.

Thanks for any suggestion.
suteetat
Dear Lew, The same reason(ing) caused me to buy the Triplanar VII and Reed 2A with the fast headshells and wire all the way to the pre. My FR-64s where in the box till Henry convinced me to rethink my assumption(s). I am glad I deed and have no reason at all to question the wire, the Din plug or whtever by the FR-64s. BTW I own both; the silver and copper 'versions' but have no preference for one or the other.

Regards,

I am using Acrolink 8N Reference Din/RCA cable into Aesthetix Io Eclipse currently. Also been playing with Lamm Phono with either its MC input or external SUT as well.
Still have not decided which combination I prefer yet.
I do like idea that Reed has also with no connector or cable break anywhere between cartridge all the way to RCA plug and still enjoy listening to Reed/Lyra Atlas just as well.
The only comparison between Reed and FR in my system so far is that Reed definitely does not play well with Koetsu and I am willing to settle for incompatibility/synergy problem rather than inferior product. Now that both Reed/Lyra and FR/Koetsu sounds great on the same table, I am a bit too lazy to switch Lyra over to FR for now. However, I was told that Lyra was designed and tuned with copper wire in mind (don't know how true this is though) so I definitely want to try that. My Reed came with silver wire so I do want to try it with a different arm/cable one of these days.
However, I was told that Lyra was designed and tuned with copper wire in mind (don't know how true this is though) so I definitely want to try that.

from the signal transfer ability Copper is 100% in its highest, purest availability (Audio Engineering Society) so that is the Standard based on AES
Silver has 106, that means, no other material on our planet can carry more than silver, 6% more than copper, 16% more than gold and I think, more than 45% more than brass...
Some cartridge manufacturers know that and use silver plated pins, some audiophiles know that and use silver headshell leads + plugs, some Arm manufacturers know that also and use silver internal Arm wire, some cable manufacturers know that also and use high quality DIN Plugs ...makes some sense for the ultra low MC Signal....my advice for that is, think about that, check your Cable of choice and also the used RCA connectors (most are inferior, even in combination with very expensive cables) and of course, the quality of the RCA jacks from your Phonostage.... :-)
Normally any Signal is degraded here seriously....MY Pods are $200,-- for example, not the usual $8.95 ...
Good sound is based on knowledge about what is responsible for what ...
Dear Suteetat, The Reed tonearms have different kinds of wood-wands and consequently different eff.mass. Not to mention different lenghts. My 2 A ( 12" ) with Pernambucco
wood -wand has the eff. mass of 27 g. and was a perfect match with the low complience Phase Tech P-3 G. So not the tonearm (name)was wrong but your own wood choice was wrong in connection with the Koetsu. Or so I thought.

Regards,