I use a calibrated microphone and place it at my listening position with an old school Audio Control Industrial SA3050 RTA Real Time 3rd Octave Spectrum Analyzer and run pink noise from the source. I set the all the frequencies so that they are flat. This has always worked for me. I am not convinced that Lyngdorf "room perfect" gear would benefit me or that it would be worth the investment. Do you have any experience with their gear? What is Lyngdorf RoomPerfect Room Correction? | AVForums RoomPerfect - Steinway Lyngdorf - The world's finest audio systems
Questions about Lyngdorf
I’m interested in starting a conversation about, what I’m gonna call the Lyngdorf approach or the Lyngdorf effect.
I say it that way because Lyngdorf appears to be doing some of the exact same things! audiophiles have been trying to do not only for years but for decades, but doing them differently … and getting what appear to me to be near reference quality results. The three examples I’m gonna give are: tone control, class D design and their anti-clipping algorithm.
I’m not terribly proficient, in terms of electrical or digital design, it’s just not an area of interest of mine. But I’ve been a part of this community long enough to know that there are some seriously bright people around here, and even some serious nerds. By the way, that’s an endearing term. I’ve noticed, the older I e gotten that generally speaking they tend to make pretty big bucks. Sometimes, they also get the hot chick, Lol.
So, rather than trying to facilitate the conversation, I want to open up the topic of conversation and would love to hear from some of the seasoned professionals who are into tubes, etc.
Because this is not meant to be combative in the least. And quite the opposite I’d like for all of us to continue to learn from our conversations.
Because, that’s what we’re all after here, right? OK, maybe not all of us. Lol
Unless someone wants to stir up some you know what, that could probably be fun also. : )