Recent retip(canti also) Dude where did my soundstage width go

fourwinds, with regard to your question of 04/06, I am not clear what you actually did.  I had suggested aligning the cartridge for zero azimuth by eye only, ignoring the Foz reading.  You could use a mirror or whatever sort of aid might help in that.  Some people put a small bubble type level on top of the headshell when adjusting for zero azimuth or is it 90 degrees of azimuth?  I hope you know what I mean, top of headshell parallel to the LP surface when viewed from the front.  (My computer changed to italics for no apparent reason here.)

As to whether the Foz is reading cartridge output per channel or crosstalk, I have no idea, since I have never even seen a Foz.  As Terry wrote, there are two schools of thought regarding crosstalk/azimuth.  Some recommend adjusting for equal crosstalk, which means that the amount of R channel signal appearing in the L channel would be the same as the amount of L channel signal appearing in the R channel (measured in negative dB).  Others recommend just minimizing crosstalk.  When you do the latter as a goal, the amount of crosstalk will usually NOT be equal in one channel vs the other.  I don't think there is any right or wrong in that regard.

So, have you set azimuth to 0 or 90 (whatever) without any regard for the Foz, and what did that do to your soundstage width?

You guys are nuts fo sure ; )  lubed or not. Man those torque tools ain't cheap but neither is anything else as I chase the dragon higher. I might just invest in a really nice mission appropriate flat head. I like the idea of a tiny bit of lube. It was difficult getting em sunk and then awkward to loosen and then tighten. I've accepted it in the past but if this enables a little more finesse and control I'm in. What kind @terry9 

Lew, yep I actually did end up setting without regard to the Foz! With that said I'm not sure about the unit. Maybe I'm missing something. Soundstage width was coming along nicely and with the improvements in the finer detail department I'm good with the outcome as it stands. I'm still under 30 hours as well. 

What kind of lube seems to be personal preference.

OK, back to serious. Can't quite believe that I wrote that stuff without realizing where it would lead - must be older than I thought.

The refinement was presented to me after I tapped a backplate made of 7075 aluminum. Apparently I had not removed all of the cutting oil (which is VERY light), and tightening the screws revealed a new level of control. (Gawd - here we go again!) So any light machine oil should do the trick (and again!!!). But just a really tiny amount - try a little cotton wool to remove the excess - you don't want oil on your records.

I was thinking about @lewm mentioned about crosstalk and as I was looking at the pins, thinking that maybe there was something back there that might be the culprit, I noticed the right pin wire had broken through the outer sheath and in I fact noticed a stray little wire. A wire only really observable with a magnifying loop. Not a complete seperate on of the whole thing but maybe that's enough to disrupt everything. Gotta be the culprit right?

Are you looking at one strand of a stranded wire, sticking out from the pin?  That could cause a problem only if it is touching any of the other pins.  If not, just take a fine wire cutter and snip it off. Or fold it so it cannot possibly contact the other pins.  If it was touching the hot pin of the opposite channel, THAT would wipe out your stereo effect and leave you with a narrow soundstage.

Am I correct in surmising that you ARE getting a wider soundstage after adjusting azimuth only in relation to the LP surface, without regard for the Foz?

I apologize for my inability to resist puerile humor, back there up the thread.