It is a mystery what this generation of recording engineers and owners of these new labels are thinking about.$$$
New methods, 180 and 200 gram vinyl, differant formulas and processes that they say is the best available for producing vinyl pressings....No don't think so.
One fantastic mono recording comes to mind that Classic re-issued and totally screwed it up is Ella Fitzgerald, Clap Hands Here Comes Charlie.
Looking at the original release there is nothing special about the record itself, played with a mono cartridge the fa-nominal music with extremely low surface noise and the level of recording quality would bug your eyes out.
Anyway, anyone here that reads main stream music reviews see any indication at all of anyone running down most of these new generation pressings of the past few years?