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Rega RP8 or Technics SL1200G

I'm a bit reluctant to post this "either or question" because I know that everything in this hobby is subjective, but here goes.

I currently have a Rega RP3-24 with an Exact 2 and I want to upgrade to my final turntable. I have read all the reviews that are available on both tables and both received stellar reviews, although Fremer stated that his RP8 sample table ran a little fast. I like the simplicity of the RP8 ($3000), however, I also like the adjustability of the SL1200G ($4000) which eases the task of trying different cartridges, although I don't plan on swapping out cartridges very often. On the other hand, I am not adverse to using spacers to adjust VTA on the Rega so I can try  non Rega cartridges. 

So it really comes down to which table sounds better, which is built better, etc. I would like to hear from anyone who owns or has heard either of these tables. I won't have the opportunity to audition either one.

I listen to rock, jazz and some classical.

The rest of my system is:
Cayin A-88T MKII Integrated with Gold Lion KT88's or Svetlana Winged C EL34  
PS Audio GCPH w/Underwood Mod (planning to upgrade to Parasound JC3+)
Harbeth SHL5 Plus 40th Anniversary
Rega Apollo-R
Accuphase T101
Cables: Morrow PH4 to phone preamp 

Thanks in advance.
Eric

       
ericsch
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cleeds
6,001 posts
 
rauliruegas
" many of the best pickup arms have fixed headshells ": which ones can even or outperforms the Technics EPA100MK2 or Lustre GST 801
I never owned the Technics, so I don't have a good basis for comparison there. But I did once have a Lustre GST-801, which I think is the same as the Acos, and it is easily bettered, imo, by many arms, including the Triplanar and the SME V.  And the Fidelity Research FR64fx - which I recall you not liking - walks all over the Lustre, imo. I replaced my Lustre with the FR and used it for years. (I sold it to a friend along with my Oracle turntable, and he still uses them.)
chakster's avatar
chakster
6,144 posts
 
@cleeds FR-64fx is lighweight tonearm, less popular than high mass FR-64s for some reason. Lustre GST-801 is universal, i use it with FR-7f cartridge (also with SPU Royal G mkII, it's about about 32g. weight). Lustre GST-801 also works fine with my lightweigh MM cartridges. I do not own the FR-64 arms, but as far as i know the armtube of Lustre GST-801 is very well damped, but the tube of FR64s is not damped at all. All i can say is that low compliance FR-7f LOMC sounds fantastic on Lustre GST-801 tonearm. My arm was rewired with Discovery Litz, i still need some tiny (missed) screws to munt the armlift etc, but i'm happy about the quality of this tonearm. I love my Reed 3p "12 too, but without arms like Lustre it would be impossible to use FR-7f in my arsenal.       
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cleeds
6,001 posts
 
chakster
... FR-64fx is lighweight tonearm, less popular than high mass FR-64s for some reason ...
I've confused the two - I had the FR-64s.  That was more than 20 years ago, though. I've been using an SME V since.
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rauliruegas
13,103 posts
 
Dear @cleeds : """ a Lustre GST-801, which I think is the same as the Acos.. """

wrong, way different. The GST-801 is a engineeering tonearm lesson for any manufacturer designer. Way way better than your V that I owned.

Btw, all those undamped FR are the worst design ever. Period.

R.
tzh21y
1,654 posts
 
I just purchased the 1200G myself.  After looking at it I must say it is one impressive turntable. build quality and and the attention to detail is quite impressive.
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