$28,000 SAT tonearm has optional adjustable/removable headshells.
Second rate?
Second rate?
Rega RP8 or Technics SL1200G
I'm a bit reluctant to post this "either or question" because I know that everything in this hobby is subjective, but here goes.
I currently have a Rega RP3-24 with an Exact 2 and I want to upgrade to my final turntable. I have read all the reviews that are available on both tables and both received stellar reviews, although Fremer stated that his RP8 sample table ran a little fast. I like the simplicity of the RP8 ($3000), however, I also like the adjustability of the SL1200G ($4000) which eases the task of trying different cartridges, although I don't plan on swapping out cartridges very often. On the other hand, I am not adverse to using spacers to adjust VTA on the Rega so I can try non Rega cartridges.
So it really comes down to which table sounds better, which is built better, etc. I would like to hear from anyone who owns or has heard either of these tables. I won't have the opportunity to audition either one.
I listen to rock, jazz and some classical.
The rest of my system is:
Cayin A-88T MKII Integrated with Gold Lion KT88's or Svetlana Winged C EL34
PS Audio GCPH w/Underwood Mod (planning to upgrade to Parasound JC3+)
Harbeth SHL5 Plus 40th Anniversary
Rega Apollo-R
Accuphase T101
Cables: Morrow PH4 to phone preamp
Thanks in advance.
Eric
I currently have a Rega RP3-24 with an Exact 2 and I want to upgrade to my final turntable. I have read all the reviews that are available on both tables and both received stellar reviews, although Fremer stated that his RP8 sample table ran a little fast. I like the simplicity of the RP8 ($3000), however, I also like the adjustability of the SL1200G ($4000) which eases the task of trying different cartridges, although I don't plan on swapping out cartridges very often. On the other hand, I am not adverse to using spacers to adjust VTA on the Rega so I can try non Rega cartridges.
So it really comes down to which table sounds better, which is built better, etc. I would like to hear from anyone who owns or has heard either of these tables. I won't have the opportunity to audition either one.
I listen to rock, jazz and some classical.
The rest of my system is:
Cayin A-88T MKII Integrated with Gold Lion KT88's or Svetlana Winged C EL34
PS Audio GCPH w/Underwood Mod (planning to upgrade to Parasound JC3+)
Harbeth SHL5 Plus 40th Anniversary
Rega Apollo-R
Accuphase T101
Cables: Morrow PH4 to phone preamp
Thanks in advance.
Eric
- ...
- 126 posts total
rauliruegas " many of the best pickup arms have fixed headshells ": which ones can even or outperforms the Technics EPA100MK2 or Lustre GST 801I never owned the Technics, so I don't have a good basis for comparison there. But I did once have a Lustre GST-801, which I think is the same as the Acos, and it is easily bettered, imo, by many arms, including the Triplanar and the SME V. And the Fidelity Research FR64fx - which I recall you not liking - walks all over the Lustre, imo. I replaced my Lustre with the FR and used it for years. (I sold it to a friend along with my Oracle turntable, and he still uses them.) |
@cleeds FR-64fx is lighweight tonearm, less popular than high mass FR-64s for some reason. Lustre GST-801 is universal, i use it with FR-7f cartridge (also with SPU Royal G mkII, it's about about 32g. weight). Lustre GST-801 also works fine with my lightweigh MM cartridges. I do not own the FR-64 arms, but as far as i know the armtube of Lustre GST-801 is very well damped, but the tube of FR64s is not damped at all. All i can say is that low compliance FR-7f LOMC sounds fantastic on Lustre GST-801 tonearm. My arm was rewired with Discovery Litz, i still need some tiny (missed) screws to munt the armlift etc, but i'm happy about the quality of this tonearm. I love my Reed 3p "12 too, but without arms like Lustre it would be impossible to use FR-7f in my arsenal. |
- 126 posts total