Boy, I have to agree with Kana813, it's far from over. I tend to see DVD-A marching forward technically while Sony is always reacting to the DVD-A camp, constantly trying to out maneuver them. Besides, 99.9% of the recording studios do all their recording, editing and mastering in LPCM. And 24/96 or 24/192 sampling is all the rage. SACD is nowhere in sight at the recording and mixing stages. Accordingly, except for a few obscure exceptions, what I see is a choice in PLAYBACK technology, not recording technology.
Sonically, I'm not sold on SACD playback either. At first I thought it was great thru my Sony 9000-e DVD/SACD player. Good bass, great midrange. But after a couple of months extended listening I found myself bothered by a certain something in the high end. A thickness & lack of "air" that made the presentation less involving. What really shocked me was when I compared the CD layer of about a dozen hybrid SACDs played back on my Muse Model 9 Signature to the SACD layer on the Sony. I always prefered the CD layer thru the Muse, especially in the high end. More open, transparent with noticably more air, detail & delicacy. I got exactly the same result when auditioning a 777 and SACD-1. Interestingly, when I compared the 9000 with the Muse using some Classic Records DADs, I got a closer result. I still much prefered the Muse but the Sony sounded more integrated and coherent when playing back the DADs.
This was a couple of years ago, but it left me thinking that there is a problem with SACD in the high end. Smooth yes, involving ...no. I actaully prefered CD in the high end and definately prefered the DADs over the SACD format at that time (and within the context of the equipment I had available though).
I can't wait for Classic to release the new disks!
Sonically, I'm not sold on SACD playback either. At first I thought it was great thru my Sony 9000-e DVD/SACD player. Good bass, great midrange. But after a couple of months extended listening I found myself bothered by a certain something in the high end. A thickness & lack of "air" that made the presentation less involving. What really shocked me was when I compared the CD layer of about a dozen hybrid SACDs played back on my Muse Model 9 Signature to the SACD layer on the Sony. I always prefered the CD layer thru the Muse, especially in the high end. More open, transparent with noticably more air, detail & delicacy. I got exactly the same result when auditioning a 777 and SACD-1. Interestingly, when I compared the 9000 with the Muse using some Classic Records DADs, I got a closer result. I still much prefered the Muse but the Sony sounded more integrated and coherent when playing back the DADs.
This was a couple of years ago, but it left me thinking that there is a problem with SACD in the high end. Smooth yes, involving ...no. I actaully prefered CD in the high end and definately prefered the DADs over the SACD format at that time (and within the context of the equipment I had available though).
I can't wait for Classic to release the new disks!