Seas Millennium Break-in time


Hi I just bought some new Tyler Acoustics Signature Monitors .The Seas tweeter is supposed to sound a little on the poor side until about 200 hours. Is this speaker(which is on it's way) really that bad until the 200 hour mark or is it not bad out of the box but improves some over the next 200 hours? How would you recommend breaking them in...playing them around the clock for 8 days at a moderate level or infrequently over two months or so...at a louded level? I am looking for a time & level that is best & what to expect out of the box. Tyler claims he player the speaker for 24 hours to ensure everything was operating properly.

Thanks

Bill
audiopath49
wonder why during my conversations with Ty,he did not mention this.My problem is I live in Canada & sending things back & forth across the border is expensive. I may contact him on this one…..perhaps the stand is OK in the end. The top of the stand exactly fits the size of the sigs meaning it was obviously designed to go with this speaker. I have filled the stand with play sand so in terrns of sheer weight(mass) ,I would think despite the ability to rock the stand with my hands that it would be hard to get any movement from the speaker due to the movement of the drivers. The rubber feet seem to do a great job of coupling the speaker to the stand .

I do not know a lot about what a good stand should do, because to date I have always used floorstanders & when I was moonlighting in the retail end back in the 80s & early 90s we always sold beefy target stands that in those days were double spiked which of course created a base that was extremely rigid. It is hard to believe Ty,would go to all the trouble of using extremely high quality drivers ,crossovers & the beefiest cabinets that I have ever seen & then put them on a stand that was subpar.

I may yet write to him on this one, however if others would weigh in on thier experience first, I would appreciate the opinion of other owners on this one .I am also interested in what changes top to bottom they experienced as the speakers broke in.

Bill

PS…I see my initial comparison between the Silverline SR-17v3 & the sigs somehow did do not get recoded on the form.I think that I will wait until they break in which should take about 8 days given I have them playing a low level through my tuner at night & generally have CDs going most of the day.So far the 17 would seem to have more definition & naturalness(harmonic rightness) in the midrange.The sigs would seem to be smoother & slightly less sibilant(thankGod) at the seeming expense of detail & definition.It would seem however that my sibilance issues are either a function of sound sort of AC power issue including grounding issues and/or just the way CDs are recoded.

Time will tell because even today they sound more dynamic & the tweeter a little more present which may in the end create better midrange detail & transparency. As far as “naturalness” (which is the only way I can describe it)the Dynaudio drivers are hard to beat since they were to date much better, midrange wise, than even my beloved Quad ELS which I lived with for longer then any other speaker I ever owned.

So there is a start for our friend who was interested in a comparison between the two speakers.
Both stands are well designed, but the Model 1's are a bit more stout. While the brass cones are nice, they won't pierce the carpet as well as I prefer. You may want to consider a true spike as a replacement. If they are coupling well to your floor, you may want to check to be sure that they are level.

I have the same/similar cones on the bottom of my Linbrook Floorstanding monitors. I haven't decided whether I'm going to replace the carpet or install hardwoods, so I haven't made a move as of yet. At some point, I may order a set of Sound Anchor bases for them if I go with carpet. If I go with hardwoods, I'll get some discs for the cones.
So I gather I am mainly OK with the threes despite the whole system being a little ”flexible”. I would think the weight of the system plus the dampening effect of MDF & sand would help. The brass feet seem to level up fairly well on my hardwood with no need for adjustment am not sure the speaker squares up with the floor which is something I have to check.My room is a little on the bright side and I like the smoothness of the speaker especially at low to moderate levels. There is just too much happening reflection wise to play them loud without getting into a nasty bright mash of sound am a bachelor so perhaps it is time to invest in some acoustical materials. I just love being able to place my 60 Lbs tube amp on the floor now that I am single ..LOL..
Making sure that they are level will assure that they are as stable as possible, and can improve the overall sound.

As with any other speaker, you'll want to have an area rug on the floor in front of the speakers...the hardwoods are quite reflective.
I am still breaking in my Lin sig mons.& have abot 80 hours on them.Does one need to use modearte or even loud levels to do this during the 200 hour break in or can this be done a fairly low volumes.I kave about 70% at low volume & 30% moderate to higher(not super loud levels)

Does the whole 200 hours have to be at reasonable loud levels?A better way to put this would be how long, at what levels do I need to play them at,to effect breakend.So far I only hear minor changes to the size of the sound field & the efficiency with the HF still quite rolled off.Do I need to play them louder to get the tweeter detail up and in generally to open the HF up.

Thanks

Bill