David(4yanx), I neglected to address your question about our Sistrum and Audiopoints products vs. other cones such as ceramic type cones.
While, of course, we feel that our approach is superior than others, the main differences begin in the design concepts, and emerge in the eventual product and performance behavior. Our Audiopoints are designed with the idea of moving the resonances out of the components. Most others(no mfr. targeted here) are designed to be a vibration blocker or absorber. The concepts are entirely opposite to each other. Starsound says that the best way to do it, is to let the vibrations naturally evacuate via a very well-designed rapid evacuation route to ground. Most of the other makers of feet and racks say block the vibrations under the feet and try to absorb them. While every method may have some proponents, it is our contention that blocking and attempting to absorb this energy is less effective, because it not only cannot achieve nearly what it strives to achieve, but also, in addition, traps any airborne vibrational energy in the components, since it blocks the only natural way out for the energy.
We recognize that our approach is not the traditional method for controlling vibration that has been considered "normal" for years. However, simple tradition is no competition for a truly improved way of doing things. A way that wasn't even considered(by most) before the last 15 years. And even though our products have been out for 15 years, there has been a fight every inch of the way from people who "liked the old" and had no desire to try anything new or better.
Now, naturally, there are applications for nearly any technology, and there may be some applications where this blocking and absorbing technique may be just the ticket. However, it is our contention that in most audio applications where there is not some glaring deficiency in floor construction, or some other opposing technology added to the mix with our product, the Starsound products should, and most often do, give a better sounding result(in our customers' opinions and ours).
Also, there have been other companies attempting to enter the "coupling" camp with products that seek to emulate the performance of Audiopoints and Sistrum products, but lack the basic understanding of the science employed by our engineers. This leads to the inevitable statement that I hear every day, "But I've tried brass cones, and other metal cones." Of course. But Audiopoints are not "just any brass cone". I know people want to say, "Sure, and I'm a Mongolian Rocket Scientist too(no disrespect to MRS's)". But the fact is that there is an underlying design concept in Audiopoints that is not used in any other cone, and this is what makes the Audiopoint the real deal. Just any cone, brass or otherwise, doesn't employ the reduction of Coulomb's Friction that the Starsound products do. I'd venture to say that most of the cone designers don't even know what Coulomb's Friction is, nor what it may have to do with making feet for audio components. It's sort of like saying that I've tried analog turntables because I had a "Close and Play" as a child. I can't help that this is a complex design that people have a hard time understanding, but it is alot more engineered than people realize.
So, those are some of the main differences that I can talk about, but the proof is in the listening. No matter what I say about our products, it really doesn't say what the difference in your system can sound like. The only way to know that is to try them.
While, of course, we feel that our approach is superior than others, the main differences begin in the design concepts, and emerge in the eventual product and performance behavior. Our Audiopoints are designed with the idea of moving the resonances out of the components. Most others(no mfr. targeted here) are designed to be a vibration blocker or absorber. The concepts are entirely opposite to each other. Starsound says that the best way to do it, is to let the vibrations naturally evacuate via a very well-designed rapid evacuation route to ground. Most of the other makers of feet and racks say block the vibrations under the feet and try to absorb them. While every method may have some proponents, it is our contention that blocking and attempting to absorb this energy is less effective, because it not only cannot achieve nearly what it strives to achieve, but also, in addition, traps any airborne vibrational energy in the components, since it blocks the only natural way out for the energy.
We recognize that our approach is not the traditional method for controlling vibration that has been considered "normal" for years. However, simple tradition is no competition for a truly improved way of doing things. A way that wasn't even considered(by most) before the last 15 years. And even though our products have been out for 15 years, there has been a fight every inch of the way from people who "liked the old" and had no desire to try anything new or better.
Now, naturally, there are applications for nearly any technology, and there may be some applications where this blocking and absorbing technique may be just the ticket. However, it is our contention that in most audio applications where there is not some glaring deficiency in floor construction, or some other opposing technology added to the mix with our product, the Starsound products should, and most often do, give a better sounding result(in our customers' opinions and ours).
Also, there have been other companies attempting to enter the "coupling" camp with products that seek to emulate the performance of Audiopoints and Sistrum products, but lack the basic understanding of the science employed by our engineers. This leads to the inevitable statement that I hear every day, "But I've tried brass cones, and other metal cones." Of course. But Audiopoints are not "just any brass cone". I know people want to say, "Sure, and I'm a Mongolian Rocket Scientist too(no disrespect to MRS's)". But the fact is that there is an underlying design concept in Audiopoints that is not used in any other cone, and this is what makes the Audiopoint the real deal. Just any cone, brass or otherwise, doesn't employ the reduction of Coulomb's Friction that the Starsound products do. I'd venture to say that most of the cone designers don't even know what Coulomb's Friction is, nor what it may have to do with making feet for audio components. It's sort of like saying that I've tried analog turntables because I had a "Close and Play" as a child. I can't help that this is a complex design that people have a hard time understanding, but it is alot more engineered than people realize.
So, those are some of the main differences that I can talk about, but the proof is in the listening. No matter what I say about our products, it really doesn't say what the difference in your system can sound like. The only way to know that is to try them.