SME V vs 309 Sonic Differences


Hi all,

I've read from a few sources one or two line comments like "The SME 309 gives up surprisingly little" when compared to the SME V. I've also seen a comment "most of the difference is in the tonearm cable." But in trying to nail down the true performance difference I have done numerous searches on both google and AudiogoN and can't seem to come up with anything beyond these one-liners.

Does anyone have experience with both arms that can give some insight? I just committed to an SME 309 and am wondering what it sonically gives up. Based on what it gives up, I'm wondering if the SME V would ever make sense as an upgrade, and what upgrade path exists for the 309 itself as either general improvements or targeted changes to specifically narrow the gap with the V. Any personal experiences with any possible upgrades is also welcome.

(Also, on a side note - I've heard some say the SMEs can be dark or too analytical. Is there any truth to that?)

Thanks everyone!
Greg
gsoravil
I agree with Jfrech. You may see some improvement in an arm upgrade, but I have seen first hand how big the tonearm cable upgrade can be.

I started with a generic tonearm cable, then went to XLO, Purist Venustas, then to Purist Proteus. Each time the soundstage, depth, bass and overall clarity improved.

I have the SME IV.Vi and I have friends that have SME arms. they have a strong preference for the Purist Audio tonearms cables. There is a good synergy there.

I am sure other good tonearm cables will match the SMEs well too.

I think a SME 309 with a good tonearm cable will out do a SME V with a so-so cable. Of course, an SME V with a nice cable would be preferred if funds (or wife) allow it.
I think dmccombs comment here puts the nail on it:

> I think a SME 309 with a good tonearm cable will out do a
> SME V with a so-so cable. Of course, an SME V with a nice
> cable would be preferred if funds (or wife) allow it.

Seems to me that if I did justify a V right now there's no way I could afford to upgrade to an appropriate quality cable, whereas with the 309 I can probably justfy something halfway decent. Overall it sounds like dollar for dollar my best bet is the 309 right now.

Unless, of course, the V comes with a truly good cable. But I get the sense that it probably just comes with one that betters the 309's cable.

Well...the 309 arrived today. Can't wait to try it out. Starting with my backup table I am doing a test fit. Love the weight. Nice, heavy, solid assembly.
In search for a nice cable for a nice price I suggest you include in selection Audio origami rewires/cables web. They can't compete brandwise with others but Dollar for Dollar.......
Disclaimer: I am not related in business with them, just got one cable from them years ago and still enjoy it.
Enjoy your 309
Gsoravil,
y.a.:
>>> What percentage of the overall gain from the stock 309 to the V with cable upgrade would you say was the cable itself? 30%, 50%?<<<

The vdH silver-hybrid is NOT the stock V cable, it is a separate "SME upgrade item" at least that is my understanding.
Only the V arm internal wiring is done with pure silver wire compared to the 309 high purity copper arm wire.
On the 309 I'd say the silver-hybrid phono cable was 10-15% max. improvement with the V definitely more noticeable about 20-25% maybe a bit more, if one would attempt to express this in a figure which is somewhat ~ questionable.

>>> Also, do you get the sense the damping trough would help the 309? <<<

No, I don't think the damping trough is value added with the 309 due to it's more benign high and low frequency behaviour. It starts to make sense with the IV.vi arm which is really not a IV arm, but a stripped down V arm.

>>> Lastly, if you don't mind would you expand on what type of table and cartridge you're running so I have a better idea of equipment class? <<<

As I mentioned, I use(d) a Windfeld (top of Ortofon's range, but also their Jubilee, the runner up).
The table is a SME-10.
Greetings,