So, a reviewer just said something I need to talk about.


I will not mention the reviewer, nor the specific equipment being reviewed, but this statement was made, talking about sax and strings: "the strings had real body, and it sounded like real strings being played". The tonality of the instruments was what he/she was talking about. I get this. The tone, the spatiality of the instruments, the stage that was presented. All well and good. What about the engagement between the listener and the musician. I have stated so many times here, ad nauseam, that the most important aspect of music listening, for me (and not enough with other listeners) is the "playing of the instruments". The artistry of the musician behind those strings. I just don’t get it. When I listen to Jeff Beck (RIP), using him as an example, what I am attracted to, FIRST & FOREMOST, is his PLAYING. Reviewers talk about "sound". Most people here talk about "sound". I spend more time now on other sites, that speak about the music playing and, the compositions. For whatever reasons, I seem to be realizing, that A’gon members, as so many reviewers, talk about sound. They very rarely mention MY most important aspect of listening. The musicianship and the compositions. Another rant from me. What are your thoughts on this? How do you listen? What do you listen for/to? What does your system convey to you? I know I am out of line again, but........My best to everyone. Always, MrD.

mrdecibel

@audphile1 +1, very nicely said, but "Keith Don't Go" is also a standout to Nil's musicianship and virtuosity as a guitar player and singer. As I still communicate with many of my customers whom I’ve consulted with and folks I have met since, there IS a change over from listening to the musicianship, to listening to the gear. This has been proven time and time again, from my personal observations. When someone makes a statement that to them a recording is poor, they will not listen to it, especially through there rig, I feel sad, for them. So much "magic" from these musicians. I listen to bootlegs of various artists that are recorded poorly, based on audiophile standards, but damn, the musicianship is GREAT. I understand, really I do, but many moons ago, it was all about the music. It is now, all about the sound (for the greater majority of listeners). I will restrain (at least I will try) from harping on this. Those folks who listen to the music 1st, and those folks who listen to the gear 1st, know who they are. As I have stated, if the enjoyment is there, so be it, and that IS what it’s all about. So, thank you all for participating and interacting with me. My best to everyone. MrD.

Check out the latest YT video of Lachan of Passion for Sound, and his latest topic. Enjoy! Always, MrD 


You don’t need an uber high end, uber expensive system to enjoy music.

No, @audphile1  , you don't.  But it is altogether possible that the more you spend the more you want out of it, and if you own a system that cost less than some of the power cords you referenced on a recent previous thread, you may have different priorities and different expectations.

Being a musician and audiophile and general techie with an electronics background with some visual artistic endeavors...lol...I like ALL aspects of it.  But I often wonder about too how some probably really get away from what would seem to be the end to the means...hearing music you love reproduced as realistically as possible.

I go for the “connection “. Are the musicians speaking (not just playing) with their instruments? With their voice and words?

 It’s great to have a high end system, but, for me, it’s all about the MUSIC, not just the sound. 
 For example, Julie Londons, Cry me a River. Of course, it’s well recorded ( lovely Barney Kessel guitar). But, Julie expresses pain, disappointment, loss, anger, betrayel, treason! And, sweet  revenge…all those things girls wanted to tell me. But, couldn’t articulate it like Julie. (That’s why I play it privately in the wee hours). 
 She almost makes me cry when I feel her pain. Almost. 
 As an audiophile, whenever I host a listening session for my fellow audiophiles, I always have a box of Kleenex in the room just in case.  So, think about all those cry babies before you break out your Jim Nabors collection, mmmannnnn!