With regards to cabling, I bought the Benchmark StarQuad for my DAC-2-Pre (1 foot) and Pre-2-Amp (15 or 25 feet). It sounded very good and I was thinking I should consider it for my other 3 sources too, even though the 24+ dBu StarQuad signal carrying ability would not be beneficial my commercial (non-pro) gear. I am not technical but just assuming this based on what I have read.
I also had a 12 foot Audience AU24 XLR cable from a decade ago that I decided to upgrade to AU24 SE. That 12 foot XLR AU24 became 4-6 XLR and RCA cables (I forgot exact conversion #'s). You can get 2 RCA's from a single XLR.
I replaced the StarQuad from the DAC3 to HPA4 path and I thought there was a slight bit more clarity in the sound. So out when the StarQuad from DAC to pre and I also added the Audience 24SE to my 3 other sources. I kept the very long StarQuad to the amp. Cost was a consideration there but I also liked what I heard. Maybe ignorance is bliss in this case.
I will be doing something soon to have a non-all Benchmark system. My new speakers are too demanding for a single AHB2 and I cannot use 2 AHB2's in mono for this speaker (Benchmark concurs). So I will be ordering a new CODA #8 with regular speaker connections and also the same speaker connection as the AHB2 (SpeakOn). This is a custom order.
I am using the SpeakOn on the AHB2 to my speakers and I like the sound and convenience. Especially when I will keep the AHB2 (for some music) and the CODA for most music in my system. It will be easy to flip amps with the SpeakOn. I will be able to see for myself how the HPA4/LA4 sounds with a non-Benchmark piece. The CODA is going to be the noisiest piece in the chain. The CODA #16 is quieter and maybe a better match but it is more expensive and more importantly likely too warm for my room. With the Benchmark gear I am always trying to match it with super quiet gear.
I also had a 12 foot Audience AU24 XLR cable from a decade ago that I decided to upgrade to AU24 SE. That 12 foot XLR AU24 became 4-6 XLR and RCA cables (I forgot exact conversion #'s). You can get 2 RCA's from a single XLR.
I replaced the StarQuad from the DAC3 to HPA4 path and I thought there was a slight bit more clarity in the sound. So out when the StarQuad from DAC to pre and I also added the Audience 24SE to my 3 other sources. I kept the very long StarQuad to the amp. Cost was a consideration there but I also liked what I heard. Maybe ignorance is bliss in this case.
I will be doing something soon to have a non-all Benchmark system. My new speakers are too demanding for a single AHB2 and I cannot use 2 AHB2's in mono for this speaker (Benchmark concurs). So I will be ordering a new CODA #8 with regular speaker connections and also the same speaker connection as the AHB2 (SpeakOn). This is a custom order.
I am using the SpeakOn on the AHB2 to my speakers and I like the sound and convenience. Especially when I will keep the AHB2 (for some music) and the CODA for most music in my system. It will be easy to flip amps with the SpeakOn. I will be able to see for myself how the HPA4/LA4 sounds with a non-Benchmark piece. The CODA is going to be the noisiest piece in the chain. The CODA #16 is quieter and maybe a better match but it is more expensive and more importantly likely too warm for my room. With the Benchmark gear I am always trying to match it with super quiet gear.