Sound Quality or Convenience?

I think you can easily have both. Digital technology and SS electronics have brought us both excellent sound quality and convenience.

I do not miss hours spent cleaning LP's with cleaning fluids and static brushes...not one tincy wincy little bit. Or hours spent searching for Japenese pressings because US versions were often woefully poor. A CD is a CD is a CD and if it has the same bits on it then it all sounds the same whereever it was made....even one burned from my harddrive.

Nor do I miss messing around with CD Jewel cases...the electronics and servos in a CD Mega changer take care of all that whilst my Mac lets me browse, select, stagger, shuffle and cue music from the CD mega changers with no hassles. One day I will rip teh CD's to a harddrive....just waiting until hardrives get big enough to do that cost effectively and without compression.

Shadorne - I don't know how big your music collection is, but I have to believe hard drives are big enough now to do that now. WMA files in lossless compression get you approximately 2:1 compression. At 300 CDs per 100Gb and 500Gb drives costing $250, it only costs about $500 to store a 3000 CD collection on a music server.

Couple that with removing the need for a transport and being able to use a USB DAC and you've got both convenience and, likely, the best sound quality from your CDs you've ever enjoyed. I have a little small-form-factor PC that is ultra quiet (no fan), with two external HDs (1TB storage) also ultra quiet, all controllable through a flexible and intuitive user interface I can operate from my laptop anywhere in the house. I don't think I've sacrificed much, if anything, in sound quality to get ultra-convenience, at least for red book source material.

SQ almost definatly,

I recently setup a music server using a Roku soundbridge and my dac. It is great having the convience I will admit. BUT I had to go and put Celin Dion Falling Into You on the hard drive and sit down to do some critical listening. I noticed the bass was a little shy and the highs seemed a little bright. I have tried three different digital cables to help aleviate this situation to no avail.

So I am back to my transport and dac for critical listening.

Although I don't listen to my vinyl that much it is still a pleasure and definatly not convient.

Michael

Kthomas,

You are right! It may indeed be time to consider the hardrive option... a new project...fun!

In the past year, I've gone from a lovely Denon micro-system and its "convenient" sound, to an Electrocompaniet integrated SS amp and Cal Audio Labs CL-15 CDP and bookshelf speakers; to an Aragon 8008ST power amp, Rotel RC-995 pre, AR Complete CDP, and Taylo 7U floorstanders (95# apiece); to a computer-sourced system with Sonus Faber monitor speakers; finally to a Cary integrated tube system with a Cary 303/300 CDP and Sonus Faber Grand Piano floorstanding speakers. I still have every piece of these systems and, now, less than a year after I initiated this journey, I can say that what I've been after is SQ and the way music can inspire and transport me. Convenience is convenience, but it is not "SQ"--which I translate to mean that which can create real aesthetic rapture and not mere convenient pleasure.

I don't knock iPods--I have a Nano myself to play on the bus when I commute to work and I'd bought them first for my wife and sons. In fact, a musicologist friend, away on sabbatical to Ruskin's I Tatti Villa near Florence, once said to me, "The ability to bring along one's entire music collection in one 60-gig iPod is nothing less than a gift from God.... Or should I say McIntosh?"

But at home, I want the richness of music to embrace me and to be able to forget that what I am hearing is a representation, a recording. That means I usually go for the best equipment I can afford and much of it is conventional digital and hi-fi rather than computer. It's too hard to learn a completely new system of sound reproduction, no matter how convenient or veritably "LossLess" it may be. I'd rather run the old paths.

In fact, all my friends are predicting that a move to vinyl is in my future. That would be lovely.

I remember well my father's own elaborate hi-fi, his brass and walnut Dual turntable and Empire cartridge spinning Big Band music in our humble living room 40 years ago now. He kept input tubes in the pocket of his shirt and swapped them in and out of his Dynakit amp. He said, "These are called Bugle Boys, named after us GI's I think." Though his perhaps sentimental speculation wasn't true, this love for sound that released feelings of homage and honor in him so they'd found expression in the brief and swift sentences he spoke to me is something I have as a kind of legacy. It is not convenient. It is loving.