Kraftwerkturbo - OP:
Spikes are $1.00 a piece and have been used to raise speakers off the flooring since the early seventies. They should “not” be driving, hosting, or used as a methodology in any conversation comparing modern vibration management techniques or theorems.
You cannot kill 100% of energy by converting it into heat. In most formulas, a portion of energy converts to heat. Where do the remaining percentages of resonance go? Does the remaining resonance mechanically ground or propagate on surfaces and form additional resonance?
Then there is the newer “ballistic resonance” theorem published and earning many followers. Ballistic resonance takes all existing vibration-damping theorems to a new level of understanding or function.
Metal originates within the Earth. These materials provide natural damping factors. These factors are taken into consideration when designing a product for musical reproduction. The damping is within the material chemistry itself.
Only thing I can come up with: LOOKS good and makes owner feel good thinking its an improvement (works only for Audiophiles though), Is the above meant to be SERIOURS? the crazyness in audiophildom has reached a new level of nonsense.
Ouch! - I am serious. Talk about craziness? You appear convinced that isolation and decoupling exist in a world governed by the laws of physics and Earth’s gravity. Equipment floating in the air, just like your responses to a topic where further education is required to comprehend.
Resonance Energy Transfer is an adaptable and scalable technology that mechanically grounds resonance formed by vibrations. The proof is built into products, public acceptance, and managing operational temperature, and aligns with current-day physics.
Parts manufactured for violin, cello, upright bass, and vibraphone are a few musical instrument sonic upgrade products accepted by musicians. Musicians and sound/recording engineers know resonance transfer delivers an improvement.
The technology of Resonance Energy Transfer uses hardened metals that work for musical instruments, structural studio environments, compressors, transformers, fan motors, and many other devices.
Audiophiles also know it as a newfound remarkable sonic.
The vibration absorbers, dampeners, springs, pucks, and cones have been here for thirty years. Giving them a modern-day look, construction, or new definition creates little change in the outcome. They are all based on age-old isolation, presently termed decoupling theorems.
Decoupling is a descriptive adjective established by the audio industry in the interest of selling more products.
Working with Resonance Energy Transfer for the past thirty-four years tells me that natural damping factors and material science provide function, dynamics in sound quality, and temperature reduction without using or combining elastic materials clogging up the electric, electro-mechanical, mechanical, and acoustic signal pathways.
Have you ever listened to what rubber-infused products do to musical reproduction?
Robert Maicks
Vibration Management Specialist
Tom DeVuono
Research & Development
