Speakers with no rear wall, better or worse sound?


I have been in a debate about speaker placement. I was proposing that having speakers in the middle of a long space (~30 foot long room) would be preferred over having speakers about 3 to 4 feet from a wall behind the speakers. I would think that having little to no wall reflections of sound from behind the speaker would be preferable. The wall behind the speakers is currently about 14 feet back. Another opinion suggested that we should build a wall 4 feet behind the speakers to get the best sound. I was thinking that the reflected sound from this new sound would mix with the speakers' direct sound and erode the quality. Other views? We were considering some renovations and I do not want to go through a significant change to our home and erode sound quality.
hickory
Time to check out Floyd Toole's 'Sound Reproduction' book. I believe that the one third, one third, one third rule will give you the best sound if using acoustic speakers. Maggies have a whole other set up routine.
My current speakers are Avalon Opus with all Spectral electronics (DMA-250 amp/ 30SS pre). I am currently considering Magico speakers for which I would be willing and eager to optimize the room. I had a reputable dealer indicate that one needs a wall behind the speakers, albeit 4-5 feet back. I felt that having essentially no wall behind the speakers (i.e. no chance for reflected sound mixing with direct) would be preferred; but I am not the expert. I have pretty good imaging and excellent soundstage depth (width is reasonable). I have carefully consider first (side) wall reflections, floor reflection, etc. in the placement of the speakers.
What I have found, while setting up both panels and boxes is that the existence of a wall behind the speakers is best so long as your speakers are about 5+ feet away. Adds a bit of 'body' that can disappear if there is nothing there provided the surfaces match the speakers design. Exactly the opposite for listening chair. I greatly appreciate dead space behind a chair (or at least 5 feet from a wall). I can do with out side walls, :-).
The 'body' component is I believe the strongest supporting argument for having a rear wall. Of course we have the floor, side walls, and ceiling for some level of body. I was wondering if a good recording is to accurately reproduce a 'live' sound, it should also include the recorded characteristics of the room or recording studio. Mixing in different listening room characteristics adds some coloration (which may be desirable), but it is not accurate reproduction. I do realize that a completely dead room lacking no 'body' can lead to an equally dead or flat sound. One may say "whatever sounds great to you is fine." I would usually agree with this. My point in this thread is that it is impractical to (reversibly) add or subtract walls to find a preferred listening character. Fundamentals of acoustics/physics must play a role in understanding and addressing the limitations of any room that has not been purpose built for listening.