Stand out phono stages


This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
pedrillo
I use the ASR Basis Exclusive, very good but quite expensive if bought new. Also used the Musical Fidelity kW phono; good sound and built like a tank; like the ASR you can use 2 tables at once. Blue Circle is good at a lower price range; I had the 707; the same performance is available from their model built into PVC pipe. Short on looks but might be the most bang for buck out there; available with different size power supplies.
I would disagree I have an IO sig. I had major issues with it so sent it back to Aesthix and had it upgraded to the Eclipse spent another 5k on it just to make sure I got it back working perfect. It is horrible I can hear it from about 18' away it is super noisy and on occasion gets so many pops and noise I have to shut it down in fear it will blow a speaker. Also Aesthetix clames it does not pair well with my Aesthetix calypso sig pre and now wants to sell me tubes after they just had it for service and gave it the ok. Besides being excessively noisy it does sound good when running I just wish I could keep it running for 2 hours and listen to some music without the fear of burning up something in my system or blowing my speakers.
The Tom Evans Vibe Plus is amazing. Astounding clarity and precision while maintaining a tube (it is not) like warmth and presence.
Dear Programmergeek, I am sorry and surprised to learn of your frustration with the Io Eclipse. This is the sort of thing that causes end-users to abandon tubes in favor of solid state. Don't give up too easily. You might contact Albert Porter; he used an Io happily for many years, although lately I think he must have switched to Allnic H3000, since he is a dealer. But he may be able to give you some tips. Sounds to me like you have one or more bad tubes in there. If the issue is on one channel vs the other, you might identify the culprit by switching one tube at a time from one side to the other, until the noise shifts with one tube change. Or variations on that theme.

Never had any such issue with my Atma-sphere MP1.
After spending no less than 30 hours trying to fix this phono stage, and my Aesthetix monoblocks I think I am giving up it is just to noisy for me and plagued with gremlins. Aesthetix sold me 4 new tubes for the front end that quieted down some crackling a bit however it is still pretty loud and I am thinking now it is just not a good match to my system. They maintain as well it is not good paired with the calypso. My system is Basis Debut TT > IO > Aesthetix Calypso sig pre amp > Aesthetix monoblocks > Vandersteen Sevens. I think on a lesser system it would be ok but I hear everything and this is really bad. I did switch tubes from side to side and the sides are pretty much equally as noisy. I tried some cheapo phono stages and they had about a 10th of the noise and over all sounded better because of that but not so dynamic so I know it is the phono section. Now I just need to figure out what to replace this with I think I am going to go more solid state if there are any suggestions.

Its ashame Aesthetix was one of my favorite brands and I use to comment as such and recommend them but I guess like everything else they have good stuff and not so good stuff which makes this mixing and matching game for good sound so much harder.