I would disagree I have an IO sig. I had major issues with it so sent it back to Aesthix and had it upgraded to the Eclipse spent another 5k on it just to make sure I got it back working perfect. It is horrible I can hear it from about 18' away it is super noisy and on occasion gets so many pops and noise I have to shut it down in fear it will blow a speaker. Also Aesthetix clames it does not pair well with my Aesthetix calypso sig pre and now wants to sell me tubes after they just had it for service and gave it the ok. Besides being excessively noisy it does sound good when running I just wish I could keep it running for 2 hours and listen to some music without the fear of burning up something in my system or blowing my speakers.
Stand out phono stages
This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
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- 403 posts total
- 403 posts total