Steely Dan UHQR


There is a great interview with audio engineer Bernie Grundman on the new UHQR album "Aja". At $150 it better be amazing. He talks about how they had to modify the sound of albums in the past so they would play on crappy turntables and how this album, at 45rpm, is designed for the best turntables and cartridges. He also speaks about how the "Dan" gang wanted to use their own speakers to listen to the master and not Bernie's. (Wish he had called out the speakers) But let me ask you this, can a sound engineer with 80 year old ears (born 16 December 1943), have the hearing to engineering a UHQR album to audiophile standards......I know my hearing is shot due to what I did in my 20's with Rock n Roll sound levels....At 70, no way could my ears be trusted for such a task.... https://www.youtube.com/watch?v=sGLFTm6jMrY

rbertalotto

@goodlistening64 - + 1; I am very happy with my UHQR of 'Aja', and I've already ordered some in the Atlantic Records 75th Anniversary series (and those are $60). What turntable Fremer uses doesn't bother me; it might make the UHQR sound better, but it would make the others sound better, too, and he also uses a Technics SL-1200G (like I've got). 'Aja' is probably the only one of the UHQR series I'll get, but it's nice to have something special in the collection....

BTW, I also just got a copy of Jethro Tull's 'Stand Up' in 45 rpm ($60); sounds awesome, except that both songs on side 2 have the vocal turned almost all the way to the left channel, not centered. I wrote to Acoustic Sounds a few days ago complaining about this, as this is obviously a mastering or pressing defect, and I'll wait to hear back.

 

 

 

@larsman I am thrilled that vinyl seems to have made it all the way back to the point that the vultures are back in play as well. I should start being more patient as you stated as the hobby still has some warts.

I too have made purchases on new albums only to find issues with them once opened (and un-returnable). A Toto album was warped (how does that happen?), and a Steve Miller album had a skip (no discernable scratch but I have to get up and move it past the skip to continue with the song), so risks abound even for reasonably priced releases. My guess is that there are new players in vinyl creation and most have little time or respect for quality control. 

As Gerry Rafferty sings, "Can I have my money back, money back, money back? Can I have my money back please sir!?"

Good listening64, most of my Japanese vynil collections are 99% good. Because they value quality. My Venus box 10 record no problem. Most of high end record I bought from ED and AS were good. You have to be more careful in buying.

@goodlistening64 - That's why I buy my new vinyl, if I can get the title I want through them, from Amazon. Returns are never a problem; I had to return my 'Who's Next' box set because there was so much surface noise on one side; I had a new one from them before I even sent back the first one, and the new one was fine. Unfortunately, I don't think I can get these 45rpm ones from Amazon.

I might also add that most of my 'legacy vinyl' from the 70's, even though the LPs themselves are a lot thinner than today's 180g ones, I find that they often (not always, of course) have less surface noise than new ones I get.

The only audiophile records I see on Amazon are from Speakers Corner and they are spotty at best. Mofi (Music Direct) and Acoustic Sounds don't sell to them, probably because they discount and are big competition to them.