Stillpoints - snake oil?


Anybody here using Stillpoints Ultras? My dealer thinks highly of them, but I am very suspicious.
128x128thyname

Good to see people tuning! It’s important to remember, no two systems are going to be "Tuned" the same. The Audio Trilogy comes down to 3 simple parts Electrical, Mechanical and Acoustical. The "Method of Tuning" you use is as important as your tuning tools. "Everything affects everything else" is what tweaking your system is all about.

Snake Oil=Not Understanding.

The faster you get past the "snake oil" theory, the sooner you will start learning how to voice your system in. The key to understanding is when you get to the place where you realize your audio signal is a "variable". Once you get to that point, then you can explore just how variable. Lower mass systems are more tunable than high mass. High mass systems are more locked into a fixed sound. Problem with having a fixed sound (one sound) system is all recordings are different. High mass systems typically play less recordings’ recorded codes. There’s nothing wrong with that, it’s all a choice. Low mass systems allow for a wider vibratory response.

Two sides

A system that you dampen is going to play one sound, more than a system where you use mechanical transfer and variable tuning. Mechanical transfer works very much like a musical instrument. As you make adjustments to the transfer points you gain control over the signal.

Fields

An audio signal falls into the category of influence of fields. Just as you tune your system mechanically you are also tuning your system’s fundamental forces. Mechanical transfer is a part of this, but so is the electromagnetic field, and the mechanical/acoustical effect. They all work together as well as influence each other.

It’s pretty basic science and as your system becomes more of a tool and less of brand name faceplates, that’s when the hobby can really take off for you.

Michael Green

michaelgreenaudio
A system that you dampen is going to play one sound, more than a system where you use mechanical transfer and variable tuning. Mechanical transfer works very much like a musical instrument. As you make adjustments to the transfer points you gain control over the signal.

>>>>>I agree that one should transfer mechanical energy (including acoustic energy and residual energy) rapidly out of the component. The problem arises when you *allow* mechanical energy transfer from the structure to the component, I.e., by not (rpt not) *isolating* the component from seismic energy. Seismic energy in the frequency range 0 to 20 Hz and higher isn’t good for anyone, no matter how you slice it. You can’t put the genie back in the bottle.

As for damping, there are Dampers and there are Dampers. Obviously, “over-dumping” is never a good idea, as Acoustic Revive has stated. I think dismissing all damping is kind of throwing the baby out with the bath water.
"Tuning" a system for each recording reminds me of the guys who adjust the VTA/SRA of their stylus for every record. You have GOT to be kidding! Life is too short to waste on such nonsense.
Stillpoints are best used under speakers. Then if you’ve got plenty of dough, try them with your electronics. 
I’ve found they work magic with my Focal speakers on a suspended carpeted floor but less so with my Simaudio 700i amplifier or CD/DAC.