Hi Joeyboynj,
Funny coincidence, only a few days ago I have added to my system comments that I have "fallen" for the Tricon Analog phono cable from the Tesla series, allow me to just copy that here (by the way, the audition was done with a dealer's demo cable, so I guess it had been well broken-in)
Another quest finished. I have been auditioning a Synergistic Research Tricon Analog phono cable for two days now and without doubt it will stay in the system. A leap forward in respect of micro-dynamics to the point of enhancing understanding of artistic expressiveness. Now, don't roll your eyes yet, I know that's a mighty mouthful of a statement. One point in case, then: Stan Getz's finely layered vibrato on "O Grande Amor" (Getz/Gilberto) shone with full genius where it had been "only" superb before. Also, the proverbial re-discovery of a number of records that appeared not so bland as I thought they were (e.g. Subharmonic "In Dub"). Finally, another fetish of mine: impeccable soundscape with anything from one-man-with-a-guitar (e.g. Michael Chapman "Window") to not-so-easy orchestral works (e.g. CSO/Georg Solti "Stravinsky - Le Sacre du Printemps"). Cable that I had used in the analog rig before and had available to compare with: Audioplan Super X-wire, Kimber KS 1010, Cicable AC5SR and AMR IC-77, admittedly all less expensive than the Tricon. However, the Tricon is without the slightest doubt also better than the imho overly hyped and rather more expensive Silent Wire NF-32 I had on trial once. All of the above applicable to and witnessed in my own system, of course.
Hats off to Ted Denney
Cheers
Karel
Funny coincidence, only a few days ago I have added to my system comments that I have "fallen" for the Tricon Analog phono cable from the Tesla series, allow me to just copy that here (by the way, the audition was done with a dealer's demo cable, so I guess it had been well broken-in)
Another quest finished. I have been auditioning a Synergistic Research Tricon Analog phono cable for two days now and without doubt it will stay in the system. A leap forward in respect of micro-dynamics to the point of enhancing understanding of artistic expressiveness. Now, don't roll your eyes yet, I know that's a mighty mouthful of a statement. One point in case, then: Stan Getz's finely layered vibrato on "O Grande Amor" (Getz/Gilberto) shone with full genius where it had been "only" superb before. Also, the proverbial re-discovery of a number of records that appeared not so bland as I thought they were (e.g. Subharmonic "In Dub"). Finally, another fetish of mine: impeccable soundscape with anything from one-man-with-a-guitar (e.g. Michael Chapman "Window") to not-so-easy orchestral works (e.g. CSO/Georg Solti "Stravinsky - Le Sacre du Printemps"). Cable that I had used in the analog rig before and had available to compare with: Audioplan Super X-wire, Kimber KS 1010, Cicable AC5SR and AMR IC-77, admittedly all less expensive than the Tricon. However, the Tricon is without the slightest doubt also better than the imho overly hyped and rather more expensive Silent Wire NF-32 I had on trial once. All of the above applicable to and witnessed in my own system, of course.
Hats off to Ted Denney
Cheers
Karel