Actusreus,
There's no question that altering arm height on a straight vertical axis alters overhang at the stylus. This isn't a matter of opinion, it's proveable by the principles of geometry. It could only be otherwise if an arm height adjustment operated on a curved path to keep the stylus tip immobile on the record... a theoretical improvement that doesn't exist on any tonearm I've seen.
Do I adust overhang for each change in SRA? No. I actually do have a life. ;-)
FWIW, tracking angle distortions sound utterly unlike changes in SRA, so while the adjustments are interrelated their sonic effects are quite different.
There's no question that altering arm height on a straight vertical axis alters overhang at the stylus. This isn't a matter of opinion, it's proveable by the principles of geometry. It could only be otherwise if an arm height adjustment operated on a curved path to keep the stylus tip immobile on the record... a theoretical improvement that doesn't exist on any tonearm I've seen.
Do I adust overhang for each change in SRA? No. I actually do have a life. ;-)
FWIW, tracking angle distortions sound utterly unlike changes in SRA, so while the adjustments are interrelated their sonic effects are quite different.