Concerning speaker placement with the Tact... I also tried following their advice concerning moving the speakers towards the back wall for increased room coupling. I have full-range reflex-loaded speakers (PSB Stratus Gold-i), and found that getting close to the wall is counterproductive: even after compensation by the Tact there's too much residual room boom. (The configuration of my room doesn't permit me to go wider with the speakers, so I can't comment on that). I've found I obtain the best result by starting with speakers in the position that gives the best sound *unprocessed*, and then using the Tact to do the room compensation.
TACT RCS 2.0 Users Group
I've recently purchased the TACT RCS 2.0 unit. As I've been wrestling with getting the optimum performance out of it, I keep thinking there must be other owners out there that have ideas to share, as well as those who could benefit from what I've learned.
I was hoping this thread would provide a forum to introduce us to each other.
Anyone interested in sharing what you've learned?
I for one have found the unit difficult to get a true grasp of how to optimise, but once learned, it has produced the best sound of any component I've ever added to my system. My system currently consists of a Sony SCD1 to the TACT 2.0 RCS with internal DAC and D/A converter. Signal is then fed from the TACT in analog format to my Art Audio Jota and then to the Avantgarde Duo Hornspeakers.
I'll start by stating I've found the suggestions in the TACT documentation for speaker placement to be contra to good sound. I've gotten the best results by using George Cardas's Near Field logic and using the TACT Nearfield target curve as the beginning point to custom build my personal target curves.
This resulted in a sound stage this is awesome and the clarity of the frequencies is without compare in my experience.
However, it took over 100 hours of experimentation to reach this result - a lot of lessons learned. At this point, I feel I know just enough to be dangerous!
I was hoping this thread would provide a forum to introduce us to each other.
Anyone interested in sharing what you've learned?
I for one have found the unit difficult to get a true grasp of how to optimise, but once learned, it has produced the best sound of any component I've ever added to my system. My system currently consists of a Sony SCD1 to the TACT 2.0 RCS with internal DAC and D/A converter. Signal is then fed from the TACT in analog format to my Art Audio Jota and then to the Avantgarde Duo Hornspeakers.
I'll start by stating I've found the suggestions in the TACT documentation for speaker placement to be contra to good sound. I've gotten the best results by using George Cardas's Near Field logic and using the TACT Nearfield target curve as the beginning point to custom build my personal target curves.
This resulted in a sound stage this is awesome and the clarity of the frequencies is without compare in my experience.
However, it took over 100 hours of experimentation to reach this result - a lot of lessons learned. At this point, I feel I know just enough to be dangerous!
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- 55 posts total
- 55 posts total