I know I repeat myself, but I have to say it again - I do not know how the company did it, but presentation is even smoother than the one of Siltech Triple Crown IC. I thought smoother was no longer possible, until I heard The Evolution Zero. The tonal balance of the performance is placed quite high, and yet it initially one has an impression of it being shifted down - a phenomenon that I try to explain with quite powerful bass delivered by TARA that resonates for a long time and always tries to be present. Siltech presents larger images, bigger volume, but it is TARA that provides listener with more relaxed presentation of the recorded music, it's Tara that enchants listener from the very first minute of listening.
I mentioned the bass already, not let me elaborate. A way of showing double bass, organ, piano, electronic instruments, is very pleasant. It's slightly warm presentation, without clear edge forming, and therefore very safe. And if it was another cable from a lower shelf, then one could speak of a slight rounding of shapes and "releasing" sound towards decay phase. In any other case I could indicate a slight remission of control. I'd talk about rounded attack resulting in less precision. But not here, not in this case.
Yes, it's true, it's not a perfect control, there is no precise determination of the attack and stop. But this gives the impression of the presence, density and fullness, while there is no rumble in the room, listener never complains about the extended bass notes, despite the high energy of the whole lower end. The message is perfectly coherent, we do not track individual elements of the performance by simply listen to music.
The soundstage is wide and deep. But quite different from that which I have heard with other top level cables. Let me spoil it for you and tell you right now that I will tell you the same about other elements of the Evolution series: rear plans are as important as the front one, they are shown equally clearly with the same, high level of energy. Volume (size) of instruments, vocals, and non-musical elements placed there are comparable with those on the front.
I have no idea how this is achieved, but I can not deny the facts: the Evolution shows a change of timbre, dynamics, emphasis shifts, change of drums pace that is set at the back of the stage as well as of the leading instrument. I mean that both arouse similar emotions, involve listener in the same way. And they demand the same level of attention. So there is this impression of incredible richness of sound. It comes at a cost, obviously but I'll tell you about it bit later.
First, let me tell you about dynamics - a fantastic, explosive, powerful one. Always equally exciting without tempering in less important moments, and by that generating huge excitement. This is one of the few cables that show this aspect of music intimately, as if we were sitting in front of a stage at a concert. It's a beautiful, exciting performance even smoother than what we get from SILTECH Triple Crown, which took me completely off guard. How they achieved that, how did they combine energy and open treble with such an excellent smoothness - I do not know. Just as I have no idea how they managed to show back plans so perfectly without adding any brightness to the sound, without damping the attack.