I'm a radiologic technologist for which you have to know enough electronics to read a schematic and build an X-ray tube from scratch. Also enough chemistry and physics to understand how electrons bombarding a tungsten disk produces x-ray photons. And yet the funny thing is I knew all this before going through the program, and a lot of the reason I understood how the x-ray equipment works was because I learned about transformers, resistors, capacitors and all the rest by being an audiophile and all the years spent learning how all this stuff works.
Far as I can tell that is all that counts. Seems to me more often than not its a disadvantage being an engineer. Engineers know engineering and tend to look for engineering answers. Problem being all the really good components performance lies in a realm unfathomed by anything we are today able to measure. These are the guys giving absolutely counterproductive advice saying things like wire is wire and double-blind yada yada.
Not that it doesn't help to understand a few things. Mostly though you just need to understand there's an interaction between speakers and amps, and between cartridges and phono stages, and why that is and how it affects things. You can learn that by reading books like Robert Harley's Complete Guide to High End Audio.
Mostly though what you need is an open mind. Some things that sound positively ludicrous, like you can demagnetize an LP, actually work. And some things that sound like they absolutely must be true, like the sub has to match and timing matters, are so wrong its not even funny. So you keep an open mind. Until your ears tell you what to think.
Which is really what will help the most. Ears. Ears and a vocabulary to interpret and express what you are hearing. Harley got that covered too. Cannot recommend that book enough.
Far as I can tell that is all that counts. Seems to me more often than not its a disadvantage being an engineer. Engineers know engineering and tend to look for engineering answers. Problem being all the really good components performance lies in a realm unfathomed by anything we are today able to measure. These are the guys giving absolutely counterproductive advice saying things like wire is wire and double-blind yada yada.
Not that it doesn't help to understand a few things. Mostly though you just need to understand there's an interaction between speakers and amps, and between cartridges and phono stages, and why that is and how it affects things. You can learn that by reading books like Robert Harley's Complete Guide to High End Audio.
Mostly though what you need is an open mind. Some things that sound positively ludicrous, like you can demagnetize an LP, actually work. And some things that sound like they absolutely must be true, like the sub has to match and timing matters, are so wrong its not even funny. So you keep an open mind. Until your ears tell you what to think.
Which is really what will help the most. Ears. Ears and a vocabulary to interpret and express what you are hearing. Harley got that covered too. Cannot recommend that book enough.