Technical sophistication


Since joining this forum, I've been both amazed and sometimes intimidated by the technical sophistication of contributors. I'm wondering if many of you are engineers or have some similar background.

It seems that in-depth knowledge is sometimes (oftentimes?) required to set up a top-level system and - despite reading a couple of books and this forum, supplemented with online sites and a subscription to "Stereophile" (and "Absolute Sound" in the HP era) - I have no clear and present idea about what's going on, at least at a fundamental level. I've had "audiophile" (as defined by reviewers at various points in time) equipment for decades, but I consider myself a dilettante in this arena.

So, what are forum members perspectives on this observation?
Keith
kacomess
I'm a radiologic technologist for which you have to know enough electronics to read a schematic and build an X-ray tube from scratch. Also enough chemistry and physics to understand how electrons bombarding a tungsten disk produces x-ray photons. And yet the funny thing is I knew all this before going through the program, and a lot of the reason I understood how the x-ray equipment works was because I learned about transformers, resistors, capacitors and all the rest by being an audiophile and all the years spent learning how all this stuff works.

Far as I can tell that is all that counts. Seems to me more often than not its a disadvantage being an engineer. Engineers know engineering and tend to look for engineering answers. Problem being all the really good components performance lies in a realm unfathomed by anything we are today able to measure. These are the guys giving absolutely counterproductive advice saying things like wire is wire and double-blind yada yada.

Not that it doesn't help to understand a few things. Mostly though you just need to understand there's an interaction between speakers and amps, and between cartridges and phono stages, and why that is and how it affects things. You can learn that by reading books like Robert Harley's Complete Guide to High End Audio.

Mostly though what you need is an open mind. Some things that sound positively ludicrous, like you can demagnetize an LP, actually work. And some things that sound like they absolutely must be true, like the sub has to match and timing matters, are so wrong its not even funny. So you keep an open mind. Until your ears tell you what to think. 

Which is really what will help the most. Ears. Ears and a vocabulary to interpret and express what you are hearing. Harley got that covered too. Cannot recommend that book enough.
Thanks for the detailed reply! I have Harley's book and I've consulted it occasionally. Perhaps a more disciplined and conscientious course of study is in order.
Keith
I’m a retired quantitative biologist.

I agree with @millercarbon that you need to trust your own ears. A few tips from my perspective:
  • Audiophiles have many "secret" techniques for improving sound. A few of them actually work. Most work their effects only on certain listeners. Is that too subtle? They are placebos, is what I meant.
  • Speakers and room acoustics account for the greater part of what you hear; equipment is next important; the cable game is for when everything else is really good already.
  • A tipped-up treble range will sound more immediate and impressive initially, and a year later, you’ll wonder why so many of your recordings are unpleasant to listen to.
  • At least in advertising and PR (which means also in the first pages of reviews), there is a lot of technobabble. Very little of it has to do with the reason the product sounds good or bad; it’s largely marketing fluff.
  • Anyone who says there is ONE best technology, or ONE best DAC chip, or ONE way to do anything in audio is a know-nothing blowhard.
  • Despite that, most audiophiles are great people when you meet them in person. Join the local audio club if there is one!
Have fun!

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