@halcro "how is the bass". I've not found it to change much over time but it has consistently been very well integrated and as deep as the content on the recording. The PC1 has a lower mid bass bump that gives the impression of more bass but in reality imposes a tone that blurs the differences between instruments. Case in point on early Genesis the PC1 blurs the sound of the bass guitar and the bass pedal. With the Palladian when a bass pedal enters it is completely distinct, not only in frequency but also the tone and shape. So in summary many will think the Palladian is a tad bass shy but the reality is it gives you what is one the recording. With very loud forward bass such as a Holly Cole "Jersey Girl" it is well defined and detailed while not impinging on the rest of the mix. This track can sound overloaded if you have bass resonances somewhere in your system
one other observation is that the Palladian doesn't sugar coat anything. If the instrument sounds rough or edgy (like much of the Tarantelle record I referenced earlier) then that is what you'll get. Finally the ability to swing sudden dynamics is top rate, take the sudden "cuckooo" in the first Tarantelle band, it'll have you jumping out of your seat
one other observation is that the Palladian doesn't sugar coat anything. If the instrument sounds rough or edgy (like much of the Tarantelle record I referenced earlier) then that is what you'll get. Finally the ability to swing sudden dynamics is top rate, take the sudden "cuckooo" in the first Tarantelle band, it'll have you jumping out of your seat