Thiel 2.7 VS 3.7???

I can offer an opinion;
Recently, I had th epleasure of comparing the CS 2.4SE & the CS 3.7 at the same dealer/same day of demo.

The CS 3.7 is outstanding in every way, but, you will need a room of 20x20, 25x25...etc. The 3.7 will only shine is a very large space, as it needs that room, to open up.

The CS 2.4SE is the same kind of outstanding, only a smaller scale.

I don't know where the "congested" reference pops up from, must be the room or something? My 2.7's are the polar opposite from congested?? Super transparent & open at all volumes. Nothing but ultra clarity is what I get. It's all about the room & setup I guess. I would never even want to upgrade from the 2.7 to the 3.7 if I heard any congestion or muffling or anything even remotely close to that. I have owned hundreds of speakers and have heard congestion & muddiness & darkness etc...etc... Thiel 2.7's are not that for sure. They did sound a little like that during break in, but not at all after. That did take 500 + hours though.

Let me elaborate on what I meant by the 2.7's sounding "congested". First of all, my comment said it was congested on "complex musical passages". Specifically I'm referring to large scale orchestral music. The resolution of individual instruments in an orchestra is better on the 3.7's. The 3.7's simply handle this kind of material better without sounding strained or congested, probably because its dynamic range performance is superior. But that's what you are paying more for.

I should repeat that I listened to both the 2.7 and 3.7 in the same room with the same electronics, so those variables should be mostly eliminated in comparing the two speakers.

It is possible that there was something wrong with the particular pair of 2.7's I auditioned, but I can only report what my ears heard. I'm guessing that if you really like your 2.7's, then you will absolutely love the 3.7's. I do also agree with one of the comments already made that the 3.7's really need a larger room to "bloom".

@ pops, Hi, I agree, riding off into the sunset is a dream I am trying to full-fill, to reach a realization of a sound is full-filling that there is no need to further spend money and go thru more frustrations is quite peacefull to me, a since of satisfaction!, I am proud of your accomplishments going that direction!

Jakegt3,

I have no doubt that what you heard side by side is true, but I will also guess there was either something wrong with that particular pair of 2.7's or they simply were not broken in all the way. One other thing I remembered about mine at one point early on was that as weird as it may sound, putting the floor spikes on with the lock nut & spikes snugged together and tightened up together, they sounded a bit what I may call congested. But with a small gap between the spike & lock nut,seemed to clear that up. Vibration transfer??

Anyway After 500 hrs of break in (over 600 now and still improving) they are just fantastic and never get confused or congested on anything I listen to. Soundstaging, instrument separation, transparency & dynamics are their strong suits.

I can only imagine the 3.7's being all that & more. That would be what I hope for the the additional cost. But to be sure, the 2.7's are amazing speakers.I hope you get a chance to hear them again somewhere else sometime to see what you think.