Thiel Owners


Guys-

I just scored a sweet pair of CS 2.4SE loudspeakers. Anyone else currently or previously owned this model?
Owners of the CS 2.4 or CS 2.7 are free to chime in as well. Thiel are excellent w/ both tubed or solid-state gear!

Keep me posted & Happy Listening!
128x128jafant
I also find the topic of phase fascinating, including the auditory neurology and learning that helps us hear, as I have expounded on this thread.

There are some confusing terms. Time alignment is a great term, but was trademarked by Ed Long around 1980, which is weird. Time coincident means the same thing, and I recommend it. Time coherence merges two concepts, leading to confusion. Also, Atkinson and others have hijacked "coherence" to include the smooth phase transitions in non-coincident systems with large phase shift - as long as the phase transitions are smooth, some call it phase coherent. Thiel, Vandersteen and many physicists reserve the term "coherence" to mean that the phase response remains minimum, ie. it does not depart from flat. A good measure is "excess phase" approaching zero. When terminology is scrambled, concepts are harder to define. 
George - I always wonder whether my comments are clarifying or just muddy the waters darker. My survey of the web suggests that there are strongly held but contrary opinions on the subject. I, as you might guess, have paid attention from various angles including music playback and record production. I take comfort that my opinions align with the best of the bunch, those recordings that play well on all systems.

Here's a link to a good explanation of the territory. It demonstrates the 'stealth phantom' of linear phase filters, whether they are analog or digital.

https://www.audiomasterclass.com/newsletter/the-difference-between-minimum-phase-and-linear-phase-eq...
Atkinson and others have hijacked "coherence" to include the smooth phase transitions in non-coincident systems with large phase shift - as long as the phase transitions are smooth, some call it phase coherent
That is certainly what I understand as one class of "phase coherence".

Thiel, Vandersteen and many physicists reserve the term "coherence" to mean that the phase response remains minimum, ie. it does not depart from flat.
I look at some of Vandersteen designs and I am not sure how he could achieve that.  

A good measure is "excess phase" approaching zero.
Yes, in the strictest of the definition, that is true.  But in reality, I am not sure if any speakers can meet that definition but I could be wrong since I have not seen all the designs out there.  The latter Thiel speakers use coax drivers so maybe "time coherence" can be achieved without excess phase on the tweeter as it approaches 20KHz.  In the case of Vandersteens, he uses conventional drivers with the tweeters offset from the midrange so I am not sure how he could do that without some amount of excess phase.  So it's possible he could be sacrificing "smooth phase transition" at the expense of the tweeter excess phase?

I've seen John Atkinson measurement of the CS2.4 step response, and the peak on the step response does suggest that the tweeter response as it approaches 20KHz may not meet that "strictest of definition" as you pointed above.  If a speaker meets the "strictest of definition" of "phase coincidence" , then the step response should be "smooth" on top of the step response where there lies the tweeter phase vs. the rest of the frequency (for example below the tweeter cross over point).

For example, if you take the phase at the cross-over point to be the reference, the tweeter phase will always deviate from that reference as it approaches 20KHz and therefore the speaker does not meet your claim of "phase coincidence" and therefore by definition, the tweeter response will not be "phase coincident" with the rest of the frequencies.  And of course, some speakers are the worse offenders than others with this respect.
While I commend Stereophile for actually measuring some of the gear they review. Some of their published measurements are from less than ideal procedures. In particular their speaker measurements and especially those pertaining to time. Ideally they would use anechoic measurements and do them from a distance consistent with manufacturers recommended listening distances. John Dunlavy took them to task for their measurement protocols.