I dunno I’m off loading the classe and 3.6 till I find a cs5 or 7 that can be shipped
It is uncommon to hear that 3.6 is bass shy. At the same time, I do not doubt Classe, however, will not rule it out entirely.
This is what I would do if I encounter the same situation - first, check the physical conditions of every driver, woofers, and the surrounding rubber. Look out for some clues of deterioration or cracks. Next, monitor and observe the behaviour of the woofers, especially with a bassy music track. Look out for driver excursions. It should look tight and fast, with minimal or zero "lag". If all is looking just fine as "how it should be", next pair the 3.6 with another power amplifier, and again continue to monitor and observe the behaviour of the woofers. |
thoft - a polarity test may be in order. Use a 6 volt ’lantern battery’ or a 9 volt with great care to only touch and release the terminal briefly. Put + to + (red) and each driver should move forward. You’ll have to feel the tweeter, but the mid and woofer motion will be visible. Also, has anyone been inside the 3.6s?
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dave43
Thank You for the update. i have this information on Rob; rob@coherentsourceservice.com (PH) 859.554.9790
Happy Listening! |
jafant - I also get a dead link, but I haven't heard any news. I'll post when I reach him. Rob will know the answer, but I can offer speculation. No. Not the same. The CS6 woofer is a reflex design which has different T/S parameters than the sealed woofers in the SmartSub. I've never seen a warped basket in a woofer. First time for everything. |
jafant - Yes. Remember the Classé DR6 and pair of DR9s? They've been incubating at Music Technology for a couple of years. He finished the preamp, including the phono stage in pretty high fashion. We used a lot of ClarityCaps including some CMR series-wound potted caps in critical applications. He has kept the DR6 to use with the DR9 and CS3.5 equalizer upgrade projects. So, I haven't heard it yet. The DR9s are presently being worked on with a goal of pickup on my visit in October. But, the long roll-out of ClarityCap's Purity line might keep that from happening. We're doing something fairly radical with the DR9s, by committing to bridged-only to allow one channel as plus and the other as minus for fully balanced operation - which allows other optimizations and removal of front-end signal path circuitry. Serious hot-rodding. The 3.5 EQ is coming to life. Jim Williams' Audio Upgrades optimized and upgraded considerably for a tight, clean, quiet result. Bill is going farther with his own magic. In October I'll get to compare cost/performance of various elements. Bill's backlog / critical need customers, etc. have stretched out these projects unimaginably. But, we're getting close to actual results. I wish/hope Bill takes on one of my Adcom GFA555 power amps. I'm enamored with them from JW's upgrade and wonder what Bill might bring to the table. He 'does' that amp, but his calendar is presently closed for new work - we'll see. |
tomthiel
Excellent! Yes, I do remember your purchasing those Classe' products. I can recall a hobbiest that offered Classe' upgrades years ago in the various Audio forums. Good to read that Bill offers critical upgrades as well. I know that you are excited to see his work in action. I can hardly await to read about the impressions and thoughts. Do Bill have a sound room at his Operation? Interested in the gear he uses to test all Electronics.
Happy Listening! |
jafant - it is a great hobby. For me, audio has been at the core of my work-life. In addition to Thiel Audio I've consulted for other manufacturers, made and upgraded stringed instruments, produced concerts, and worked with musicians in various ways to upgrade their performances and recordings. I'm a sound guy. My musical recording and playback equipment have been valuable and enjoyable tools. Most of what I have and use I have had and used for many decades. I upgrade and replace carefully as advancements become available. The Classé gear has been with me since around 1990 when we bought it for Thiel Audio. It was replaced by Bryston, Conrad Johnson, Mark Levinson and Krell with a parade of temporary gear for comparison. The Classé was bomb-proof and very 'smooth', but lacking in ultimate resolution / detail. I lived with that for a very long time. I had tried some unsuccessful layman's upgrades, but it was your introduction to Bill Thalmann that led me to go big time. I'm looking forward to what he does with these pieces. Bill's soundroom is pretty rudimentary; it's a place within the large shop with 3 walls to define a physical space, with some aspects of an acoustical space. Although not a normal, enclosed, controllable playback room, on the plus side, the 20' ceiling and 50' (more or less) back exterior wall make a non-reverberant space which is problem-free. We can hear what's going on very well, but I don't know how it would perform as a space to enjoy playback. |