Interesting only from the viewpoint that Rick misses the point entirely.
I understand where he is going and he is probably quite knowledgable about the technical stuff. However....... the bands and musicians he mentions have particular tastes and concepts which influence the mix THEY want. The sound of that artist or group is the end product and what the engineers are paid for. They are hired guns.
The engineers are the technical conveyance to get these people to their desired destination. Listen to Rolling Stones recordings purposely recorded with distortion and/or very 'hot' in certain areas of frequency, vocals or instrumentation. They want that signature sound. Just like Sun Studios had a particular 'sound'.
The Stones don't want the mix Diana Krall wants. They don't hire Bernie Grundman to give that very open acoustical large soundstage sound.
The engineers, editors, mastering jockeys are producing a commercial product mostly if not completely swayed by what that artist or that band wants for a sound.
I understand where he is going and he is probably quite knowledgable about the technical stuff. However....... the bands and musicians he mentions have particular tastes and concepts which influence the mix THEY want. The sound of that artist or group is the end product and what the engineers are paid for. They are hired guns.
The engineers are the technical conveyance to get these people to their desired destination. Listen to Rolling Stones recordings purposely recorded with distortion and/or very 'hot' in certain areas of frequency, vocals or instrumentation. They want that signature sound. Just like Sun Studios had a particular 'sound'.
The Stones don't want the mix Diana Krall wants. They don't hire Bernie Grundman to give that very open acoustical large soundstage sound.
The engineers, editors, mastering jockeys are producing a commercial product mostly if not completely swayed by what that artist or that band wants for a sound.