TOTALLY CONFUSED about analog


I want to start into high end analog but I just don't get it.

I am confused with all this "belt drive/direct drive", MC for this or that, some guys fighting for Rega...one of you guys is a 'SELF PROCLAIMED EVANGELIST' about the DJ turntable!

What is reality anyway? Do I have to get a DJ turntable and modify it? If I buy a Rega I'd have to modify it, too...right? There's a counter weight, new wires, rings for VTA, you name it.

What about 'turntables for classical' or 'turntables for rock and roll'? What is this? What about the Star Trek turntable?

Is there a way to just buy something and enjoy?

Any suggestions in a couple of price ranges (new--I don't want to hear how you found in a garage sale this $3000 turntable for $150), say in the $300-600 and $800-1500 ranges?

Thanks and please bear with me.

Ken
waxcylinderfc6d
I have always been almost maniacal in my care of LPs. And yes I listen to a lot of classical and jazz, but believe me blues is often heard in my room and rock also. As to the source of my disdain for surface noise, true enough solo flute or classical guitar or even orchestral music on soft or silent passages is what done it! Too bad we never did get analogue systems without the physical contact of stylus and groove! Some time ago, a system using optical means of pick-up was developped and marketed. Wrong time, it got killed by CD.
I wouldn't invest in a classical music vinyl collection, for sure. I've bought a few at record stores very cheap but it's not worth it, in my opinion. The noise would just get to me, especially as it gets worse with time.

Pbb, have you read "What to Listen for in Music" by Aaron Copland?
The son of a lawyer I worked with lent me a copy years ago and, honestly, I did not get very far in my reading it. I've read so many articles on music and audio over the years that I probably have some patchwork equivalent in my brain. Why?
I took a class in freshman year in college: Sound Sense and Idea. A musicology class that is. We read the book, as well as another one I don't remember...

You should read the book. I'm pretty sure analog will start making sense to you.

From your posts I think you could benefit from getting truly emotionally involved with the music. I had my reality check which awakened me many yeas ago...that's one of the reasons I use a modded 1200 instead of a belt drive. I have made a discipline of getting involved with the music, not the equipment. I do have a cultivated ear, but the music goes first. I truly enjoy my Svetlana and Dvorjak's Columbia Classisc LP after all these years of impulse noise being accumulated. I get connected to the spirit of the music. That's what's really important. That's why I've chosen my components to be musical above any other quality. I have a friend who's into really high end stuff*, but he ALWAYS drools with my software, ¿comprende? "Where do I get all this music" is his question...

* B&W 801's, Krell Class A beast, Klyne SK-5A preamp, SOTA vacuum TT, etc.
Now I'm totally confused. Aaron Copeland was an analogue-type guy? And analogue can get me more emotionally involved with the music, but, if I understand, not with classical music, since you would not buy an LP collecton of classical music and, therefore, would go the digital/cd route for classical. Have I missed something here? Yes, perplexed and totally confused!