Andrew,
Cello and I each own a 25% share in a Wally Analog Shop. It works, and using it taught me two things (which Dan has already mentioned):
1. extremely small adjustments matter and,
2. I can set azimuth about as well by ear as by measuring (and with far less fuss).
4yanx also owned a share of our Wally at one time. He sold it after making the same discovery. Wanna buy my share? ;-)
As Tim said, cartridges are rarely if ever so flawless that stylus, cantilever, coils, suspension and magnets all align perfectly. It just doesn't happen in real manufacturing.
I set the stylus close to vertical to prevent vinyl damage or uneven wear. I don't find magnification helpful for this either. After that, fine adjustments to minimize crosstalk yield the best sound.
A good mono record works, but so does a good stereo one if there are well recorded instruments or vocalists in the center. Getting images tightly focused with maximum air is the goal.
Doug
Cello and I each own a 25% share in a Wally Analog Shop. It works, and using it taught me two things (which Dan has already mentioned):
1. extremely small adjustments matter and,
2. I can set azimuth about as well by ear as by measuring (and with far less fuss).
4yanx also owned a share of our Wally at one time. He sold it after making the same discovery. Wanna buy my share? ;-)
As Tim said, cartridges are rarely if ever so flawless that stylus, cantilever, coils, suspension and magnets all align perfectly. It just doesn't happen in real manufacturing.
I set the stylus close to vertical to prevent vinyl damage or uneven wear. I don't find magnification helpful for this either. After that, fine adjustments to minimize crosstalk yield the best sound.
A good mono record works, but so does a good stereo one if there are well recorded instruments or vocalists in the center. Getting images tightly focused with maximum air is the goal.
Doug