Transfiguration Orpheus - Has anyone tried it ?


I was considering buying a Transfiguration Temper W but I am now aware that a new cartridge called the Orpheus is available costing more than the Temper.
Not much info seems to be available about it other than basic specs, can anyone comment on differences between it and the Temper.

Many thanks
Roy
raudio6f82
Larry,as my son is starting his medical internship at George Washington Hosp/Med center,this June,and I will be visiting from time to time,so don't be so quick with the invites.Some of us fanatics may take your offer up!
Also,I checked out the Klipsh thread,about your upgrade process.Quite interesting.BTW,what polish/wax do you use for the finish?
I remember when I was in college,and working each summer as a letter carrier in NYC,I would walk into the better audio stores of the day,and was floored by the sheer mass that the Klipshorns presented.Of course I could not consider them at the time.One day I had a route that allowed me to deliver mail to Lyric Hi Fi.I remember being very impressed by the wonderful "new to me" stuff being sold there.Mike Kay was SO nice to this, then "young" and enamored college kid, that I never forgot his kindness,and the time he spent introducing me to quality audio products.Even though he knew I could not possibly purchase anything.A class act!!

BTW,I notice on the Klipsh site that many folks list ownership of Cornwalls,Hersheys(?) and others.Do people own multiple Klipshorns.Like the multi cartridge crowd?Whew!!Also would the addition of a superb super tweeter,like the Townshend or Murata,be an improvement?I've heard these can further some horn designs.I did hear the Townshends on a pair of wonderful Sonus Faber Extremas(WAY underrated speaker,with these tweets,btw)and they were superb.Totally seamless!

As to the Orpheus,though I love the quick comments from you,it would best serve us all if you waited about two more weeks before making definitive statements regarding performance.I guarantee you will find subtle changes will occur,and you will most likely revoice the arm/table accordingly.You'll then have a better handle on "things sonic"!Man,you are a lucky guy.God only knows when my set-up will be back,up and running.I sent out stuff,for mods and service and am beginning to wonder if I did the right thing(I know I did,but am running out of patience).In the meantime I must admit to be getting about 120 mph on my serve,literally,so I'm putting the time to a good cause.Yet,I'd rather be listening to my new music acquisitions,as of now.

Best of luck!
Let's see if I can answer some of your questions, plus I have another: I sent e-mails to you and Roy, and got bounce-backs. Any idea why?

I'll be glad to come back in 2 weeks with further comments, but was concerned the thread would die from disuse if much time went by. Besides, the elements of my comments are very unlikely to change (or I hope not), so I saw no reason to hold back. I also sensed that the sound blossomed out over the 4 days, but have hearing in only one ear and thus can't pick up on soundstage subtleties.

I use Formby's lemon oil. I used Murphy's wood soap one time and was chagrined to find it darkened the darker part of the grain, a loss in the way it appears to shift with the light. It's mostly come back, but I decided to stick with lemon oil and not experiment from that point on.

While a few have multiple K-horns, it's more common to have 2 or more systems in the house, sometimes with different sized Klipsch speakers from system to system. Some also experiment with different tweeters and midrange horns, and different crossovers. I don't recall either the Townshend nor the Murata being mentioned on the forum. It almost seems that you and the others here move in a different world, component- and mod-wise from the Klipsch forum guys.

I'm pretty conservative, have not gone for mods except (1) Basis factory mods to the Ovation and (2) mods to the Wadia units by Steve Huntley of Great Northern Sound, who used to have a responsible position at Wadia and did factory-authorized work for them after leaving. I would be very leery of modding any of my electronics. I did try a new tweeter made for Klipsch products, but was one of a small number who found it had too many disadvantages.

Anyway, I don't think the essence of what I reported will change except for the better, so I'm comfy with reporting now.
Hey guys.

I'm one of those Klipsch Forum fanatics and I own Klipschorns (1976), Cornwalls (1980 - original owner), and I recently sold my '72 Heresys. Those are just the ones worth mentioning. Most of the folks on the forum with multiple pairs use them in a HT environment, but many have 2 or more 2-channel systems like myself.

I heard Larry's Orpheus Monday when it was still breaking in and all I can say is WOW! I own the Temper "W" and have been listening to Larry's "V" for a couple years now (which is why I now own a similiar Basis/Vector/Temper combo).

Even with just a few hours of break-in, the Orpheus sounded fantastic as Larry described. I don't know what I can add that he didn't already cover. What suprised me the most was the improvement in the bass. It really tightened up and it digs as low as I've ever heard on his system. The mids and highs were amazing as expected.

If Larry decides to give you guys a demo, you'll probably see my arse parked on one of his living room chairs!

BTW - I've never heard a system that does classical music better than Larry's.
Larry,I was not hinting at you needing to mod,or go to a super tweet.Just asking if you were familiar with it.A friend had mentioned that he knew of two horn based set-ups that added the Townshend,and it greatly helped.Not that it is a necessity,in a rig like yours.Sorry,if you felt I was insinuating a mod in a system I've not heard.I don't do stuff like that.

BTW,Steve Huntley completely re-built my pre/phono(Audio Research SP-15)and it is definitely world class.Cost me big bucks to do,but really worth it!

I've already laid the groundwork for one of my audio "best friends",who now owns a Temper-v,to upgrade to the Orpheus in early fall.God I'm so cruelly cunning sometimes,but when it comes to "things audio" I can't control myself!

Best!

Best!
Sr.,
Oops, I didn't think you were "insinuating." I do think I see bandwagons at times. Like a recent tweeter replacement for the K-horn/La Scala/Belle K-77 tweeters, which most liked but I and a very few others tried and thought didn't musically blend with the rest of the speaker. Most thought it was a big improvement, over Beyma tweeters (a previous favorite) as well as the K-77 for example, and which also has been thought to be better than the K-77.

In the mid-range, one forum member has developed a Tracterix mid-horn he calls the Trachorn, and which again many on the forum think is a better mid horn (the standard mid driver apparently passes muster). Based on my tweeter experience, I tend to suspect that such items developed outside the historic and current Klipsch factory and research center may have more clarity but also may have less thorough working-out and musicality than I think is traditionally Klipsch. I don't know, of course, but that's my real answer -- and I gotta be shown otherwise.

Yep, Steve is really outstanding, has great judgement IMO and really tells it like it is.

I'm on the lookout for further changes in the Orpheus sound. I expect the highs broadly speaking will smooth down further, though they certainly aren't bad now, and perhaps detail will become finer -- I'll try to assess and let you know.

Congrats on your son's fortunate and hard-working success. I take it he's entering a residency (specialty training after medical school)? Good for him and you --

Larry