i think a more interesting questions is the following:
why do designers persist in providing more and more resolution until it hiyrts ?
why should one suffer listening to certain recordings?
too much resolution does not sound real.
i believe that the result of designers' attempt to peel back so-called layers of veiling and noise to reveal all of the musical and non musical details of a recording creates the phenomenon that you are alluding to, namely, the convergence in presentation of tube and solid state amps and preamps. i don't think there is a deliberate attempt to create this convergence. i think it is a result of increasing resolution.
there is an optimum level of resolution for human beings. too much or too little is less preferable than the "just right" level. unfortunately manufacturers and hobbyists alike do not know what the optimum level is.
there have been many experiments in the psychology journals which deal with the subject of stimul;us complexity and intensity. it is obvious that when the level of clarity increases there would be a change in stimulus complexity and intensity. maximum intensity and complexity are experienced as unpleasant.