U.S. Symphony Orchestras


Here's a link to a Wikipedia list of US symphony orchestras. What immediately struck me was how large a list it is. For instance, from my adobe in southeast Michigan I have access to four orchestras, including a major one, the Detroit SO. This may sound heretical, but are there too many symphonies? The poor economic health of many of the orchestras would support the over abundance argument. It's possible that a severe contraction in the number of orchestra could occur.

There was a "Gramaphone" article a few years back about the top twenty orchestras in the world. US orchestras showed very strong with seven institutions named. Anybody have any ideas about how to keep the best of these orchestras solvent and still performing?
128x128onhwy61
Time to think outside the box and bring the symphony orchestra into the 21st century. Just a few random ideas to make the orchestra more relevant to more people in today's market for attention.

Allow tweeting by musicians during performances. It's not as if every musician is playing during every moment of a performance. Why not let him/her tweet their thoughts during those idle moments? Find out what the brass section really thinks about the guest conductor.

Appear regularly at non-classical music festivals. Why not the CSO at Lollapalooza or Baltimore SO at Ozzfest? The London SO at Stonehenge on a solstice -- trippy!

Link classical music to a reality TV show. Screw dancing, how about "Conducting With the Stars"? A series where a group of non-musician celebrities attempt (with the help of a real maestro) to conduct an orchestra through a musical movement. The audience then votes on who continues to the next week. Half of the show would be actual performances, with the balance being the conductor teaching and explaining to the celeb how to understand and direct the music.

And of course, there's the obvious -- "Symphonic Idol".

Some of these ideas are crazy, but so is MMA. I'd just hate to symphony orchestra go the way of the vinyl record.
Route9, many people would still put the BSO in the top ten - certainly there would be no debate about them being among the top ten American orchestras. As for the whole world, they would still probably make that list too, though it might be close. What was odd to me about that Gramophone list was the large number of Russian orchestras. Yes, there are some good ones, but that number of them in the top 20 in the world most musicians would probably not agree with.

You are correct about the BSO's endowment, too. They will be the last orchestra standing, for sure.
... I'd just hate to symphony orchestra go the way of the vinyl record.
Onhwy61 (System | Threads | Answers | This Thread)

Actually, that's exactly what we would like to see happen. A resurgence of orchestra popularity not unlike what is happening with LP's. Sales of turntables and vinyl are going up every year.
Wow, I get to the Meyerhoff for the BSO frequently. Didn't realize the BSO was so well endowed. Glad to hear that. The BSO and Meyerhoff is an oasis for lovers of good music in Baltimore. I notice the aging clientele when I go. Lots of grey hair. The BSO seems to be doing things to try to broaden their appeal, pops concerts and such. The US needs its symphony orchestras to help offset the power of pop culture otherwise. Its a tough battle, but hopefully good taste perseveres.
"Its a tough battle, but hopefully good taste perseveres."

This attitude is part of the problem. Good taste? Music is music, none of it is better than any other. And to most people it reinforces the commonly held view that classical music is for snobs. Being a snob is frowned upon in the young world.