Hello Craig. I realize I will probably get flamed for saying this, but confusion is getting the best of me. I am reminded of what one of my great professors during Veterinary school said, "I don't know how the automatic transmission works, but I can still drive my truck." (Yogi Berra's got nothin' on him, boy.) So, following that logic, forgive me if I say, "I don't know how my Bel Canto DAC1-toslink-DVD transport works, but I can put a cd in it, and, for a $1600 combo, it sounds very, very good!" Oh, and I understand there is a new upgrade for the DAC1, has to do with the power supply................. Charlie
Upsampling and Stereophile
Last summer there were several threads here on Audiogon about digital upsampling and over sampling (a couple long and heated), but the opinion(s) of the audio press were conspicuously absent. In the Dec. 2000 issue of Stereophile, page 3, John Atkinson, has an editorial explaining their position on this in his "As We See It" column, page 3. I encourage everyone interested in the subject to look up the article. I have excerpted the following quotes that I think sums up Stereophile's opinion, and that may pique your interst: (1) "....the audio industry has settled on an 8X-oversampling ratio, the 44.1 kHZ CD data being converted to a 352.8 kHZ datastream before D/A conversion." (2) "no matter how good these upsampling products can sound-- and the dCS, Bel Canto, and MSB products indeed sound excellent-- there is no conceptual difference between them and traditional CD playback systems. I am now convinced that the sonic differences we have heard and reported on are merely due to the different choices in digital filters made by the designers of these products." (3) "In the meantime don't buy a digital product because it has "24/96" emblazoned on its front panel. Buy it because it makes your CDs sound great". Cheers. Craig.
- ...
- 32 posts total
- 32 posts total