Vinyl Reason


I am setting my first stereo system which consists of turntable, amp and speakers. I wonder why people make a decision to go vinyl. In my case I just wanted to revoke that something I had in past....to feel myself the way I felt 20 years ago when I was a teenager...to expirience that ritual of landing LP on a turntable disk, starting the motor, pulling tonearm...whatching it spinning...
But for many people it could be quite different reason. Is it maybe because the quality of vinyl sound is "different"?..just like tube amp sounds differently from SS...
sputniks
Audiophiles love to tweek their equipment.
Vinyl playback systems can be endlessly "tweeked", but unlike most digital tweeks (like the plastic thing you place on top of your CDP) the analog tweeks actually make sense and can significantly affect the sound.

The argument that there are excellent, and historic, recordings which are not available in digital format is valid.

The ritual of LP play is loved by some. Like the Japanese tea ceremony, where the taste of the tea is not the most important thing.

(How am I doing, Albert?)
Fine except your post seems to indicate that you believe that the LP is popular because of the "ceremony" rather than sound and that tweaks are necessary for LP playback to be satisfying.

Thus far, I have spent considerably more time tweaking CD playback than my Walker turntable. I set the Walker up in 1999, adjusted the cartridge, arm and tracking and have not touched it since, except to verify it had not moved.

I think you like the convenience of CD, and that is a valid reason to love the format. I don't think you believe in the power of LP (and analog in general), so your posts reflect that position.

In all fairness, I'm guilty of "not" believing in the power of digital to deliver music in my system, so I have stopped investing tens of thousands of dollars on that format, like I used to do.

The Walker has been a much smarter and safer investment, performance aside. Even my $1000.00 Sony CD player has dropped a few hundred dollars since I bought it (luckily I did not buy a $10K audiophile unit), while the Walker has increased in value.

I could sell my analog rig for thousands of dollars more than I paid, so convenience aside, it has proven to be the right choice for making great music, providing freedom from maintenance and has fared much better than most digital product, at least as far as holding value.

Obviously we are looking for different things from our system and will likely never come to any agreement.
Albertporter...You are not the typical vinyl fan. The ones I know are endlessly tweeking and adjusting and upgrading. And they seem to enjoy it, and talking about it.

Your photography is good. Do you use a digital camera, or are you still into film?
I enjoy sharing music, that's what this is all about. Since this is a hobby I can strive for the best and what suites my taste.

As for Photography, I make my living doing that and conform to whatever the buyer wants. If they specify 8X10 film, that's what they get. If they specify digital, that's what they get.

I own every format from 35MM through 8X10 and work for a variety of customers. Southwest Airlines will ONLY accept film, Raytheon ONLY accepts digital.

Much like the audio community the choices are divided and like a software store, I simply take the customers money and give them what they want.

So, the choice is not mine, unlike my music hobby.

It would all be on film and shot with my Hasselblad or better if I had my way. Digital may surpass film in the near future. Unlike digital audio where Sony and Phillips (and the like) control the quality of the format (and limit it). Photography is a recording of the original even, much like the recording engineer's job in music.

EXCEPT, in photography the buyer is the end user and it behooves Canon, Hasselblad and Nikon to do a BETTER job than the competition, otherwise they loose business. As this competition evolves, better digital pick up devices will be offered to the photographer at lower and lower prices, just as has happened with the computer business.

I wish this could be true of the music business. Unfortunately the big boys have no incentive, competition or reason to make things better for the small segment of audiophiles that want quality as well as great offerings from their artists.